The Life and Opinions of Tristram Shandy, Gentleman - Laurence Sterne [45]
But this, as I said above, is not the case of the inhabitants of this earth;—our minds shine not through the body, but are wrapt up here in a dark covering of uncrystalized flesh and blood; so that if we would come to the specifick characters of them, we must go some other way to work.
Many, in good truth, are the ways which human wit has been forced to take to do this thing with exactness.
Some, for instance, draw all their characters with wind instruments.—Virgil takes notice of that way in the affair of Dido and Æneas;9—but it is as fallacious as the breath of fame;—and, moreover, bespeaks a narrow genius. I am not ignorant that the Italians10 pretend to a mathematical exactness in their designations of one particular sort of character among them, from the forte or piano11 of a certain wind instrument they use,—which they say is infallible.—I dare not mention the name of the instrument in this place;–’tis sufficient we have it amongst us,—but never think of making a drawing by it;—this is ænigmatical, and intended to be so, at least, ad populum:12—And therefore I beg, Madam, when you come here, that you read on as fast as you can, and never stop to make any inquiry about it.
There are others again, who will draw a man’s character from no other helps in the world, but merely from his evacuations;—but this often gives a very incorrect out-line,—unless, indeed, you take a sketch of his repletions13 too; and by correcting one drawing from the other, compound one good figure out of them both.
I should have no objection to this method, but that I think it must smell too strong of the lamp,14—and be render’d still more operose,15 by forcing you to have an eye to the rest of his Non-Naturals.16——Why the most natural actions of a man’s life should be call’d his Non-Naturals,—is another question.
There are others, fourthly, who disdain every one of these expedients;—not from any fertility of their own, but from the various ways of doing it, which they have borrowed from the honourable devices which the Pentagraphic Brethren* of the brush have shewn in taking copies.—These, you must know, are your great historians.
One of these you will see drawing a full-length character against the light;17—that’s illiberal,----dishonest,----and hard upon the character of the man who sits.
Others, to mend the matter, will make a drawing of you in the Camera;18—that is most unfair of all,—because, there you are sure to be represented in some of your most ridiculous attitudes.
To avoid all and every one of these errors, in giving you my uncle Toby’s character, I am determin’d to draw it by no mechanical help whatever;——nor shall my pencil19 be guided by any one wind instrument which ever was blown upon, either on this, or on the other side of the Alps;—nor will I consider either his repletions or his discharges,—or touch upon his Non-Naturals;—but, in a word, I will draw my uncle Toby’s character from his HOBBY-HORSE.
*Pentagraph, an instrument to copy prints and pictures mechanically, and in any proportion.
CHAP. XXIV
If I was not morally sure that the reader must be out of all patience for my uncle Toby’s character,——I would here previously have convinced him, that there is no instrument so fit to