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The Life and Times of the Thunderbolt Kid_ A Memoir - Bill Bryson [114]

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Hardy Boys books, and peerless set of movie posters, many in mint condition.

That’s the way of the world, of course. Possessions get discarded. Life moves on. But I often think what a shame it is that we didn’t keep the things that made us different and special and attractive in the fifties. Imagine those palatial downtown movie theaters with their vast screens and Egyptian decor, but thrillingly enlivened with Dolby sound and slick computer graphics. Now that would be magic. Imagine having all of public life—offices, stores, restaurants, entertainments—conveniently clustered in the heart of the city and experiencing fresh air and daylight each time you moved from one to another. Imagine having a cafeteria with atomic toilets, a celebrated tea room that gave away gifts to young customers, a clothing store with a grand staircase and a mezzanine, a Kiddie Corral where you could read comics to your heart’s content. Imagine having a city full of things that no other city had.

What a wonderful world that would be. What a wonderful world it was. We won’t see its like again, I’m afraid.

Bibliography


The following are books mentioned or alluded to in the text.

Castleman, Harry, and Walter J. Podrazik. Watching TV: Six Decades of American Television. Syracuse, New York: Syracuse University Press, 2003.

DeGroot, Gerard J. The Bomb: A Life. Cambridge, Massachusetts: Harvard University Press, 2005.

Denton, Sally, and Roger Morris. The Money and the Power: The Making of Las Vegas and Its Hold on America, 1947–2000. London: Pimlico, 2002.

Diggins, John Patrick. The Proud Decades: America in War and Peace, 1941–1960. New York: W. W. Norton, 1988.

Goodchild, Peter. Edward Teller: The Real Dr. Strangelove. London: Weidenfeld and Nicolson, 2004.

Halberstam, David. The Fifties. New York: Fawcett Columbine, 1993.

Heimann, Jim, editor. The Golden Age of Advertising—the 50s. Cologne: Taschen, 2002.

Henriksen, Margot A. Dr. Strangelove’s America: Society and Culture in the Atomic Age. Berkeley: University of California Press, 1997.

Kismaric, Carole, and Marvin Heiferman. Growing Up with Dick and Jane: Learning and Living the American Dream. San Francisco: Lookout/HarperCollins, 1996.

Lewis, Peter. The Fifties. London: Heinemann, 1978.

Light, Michael. 100 Suns: 1945–1962. London: Jonathan Cape, 2003.

Lingeman, Richard R. Don’t You Know There’s a War On?: The American Home Front 1941–1945. New York: G. P. Putnam’s Sons, 1970.

McCurdy, Howard E. Space and the American Imagination. Washington, D.C.: Smithsonian Institution Press, 1997.

Mills, George. Looking in Windows: Surprising Stories of Old Des Moines. Ames: Iowa State University Press, 1991.

Oakley, J. Ronald. God’s Country: America in the Fifties. New York: Dembner Books, 1986.

O’Reilly, Kenneth. Hoover and the Un-Americans. Philadelphia: Temple University Press, 1983.

Patterson, James T. Grand Expectations: The United States, 1945–1974. New York: Oxford University Press, 1996.

Savage, William W., Jr. Comic Books and America, 1945–1954. Norman: University of Oklahoma Press, 1990.

Wright, Bradford W. Comic Book Nation: The Transformation of Youth Culture in America. Baltimore: Johns Hopkins University Press, 2001.

Illustration Credits


ENDPAPERS: Hagley Museum and Library, Wilmington, Delaware

The Bryson family photos on FRONTMATTER, CHAPTER 2, CHAPTER 5, CHAPTER 10, CHAPTER 14, and ABOUT THE AUTHOR are from the author’s own collection.

CHAPTER 1: State Historical Society of Iowa

CHAPTER 3: State Historical Society of Iowa

CHAPTER 4: Courtesy the Advertising Archives, London

CHAPTER 6: Courtesy the Advertising Archives, London

CHAPTER 7: © CORBIS

CHAPTER 8: © Bettmann/CORBIS

CHAPTER 9: Special Collection at Cowles Library, Drake University, Des Moines; (inset) Special Collection at Cowles Library, Drake University, Des Moines

CHAPTER 11: Courtesy Bonestell Space Art

CHAPTER 12: John Dominis/Timepix

CHAPTER 13: © Bettmann/CORBIS

BILL BRYSON’s best-selling books include A Walk in the Woods, I’m a Stranger Here Myself, In

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