The Life of Charlotte Bronte-2 [106]
parlour,--he had a sort of grand and stately way of describing past times, which tallied well with his striking appearance. He never seemed quite to have lost the feeling that Charlotte was a child to be guided and ruled, when she was present; and she herself submitted to this with a quiet docility that half amused, half astonished me. But when she had to leave the room, then all his pride in her genius and fame came out. He eagerly listened to everything I could tell him of the high admiration I had at any time heard expressed for her works. He would ask for certain speeches over and over again, as if he desired to impress them on his memory.
I remember two or three subjects of the conversations which she and I held in the evenings, besides those alluded to in my letter.
I asked her whether she had ever taken opium, as the description given of its effects in "Villette" was so exactly like what I had experienced,--vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist , etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep,--wondering what it was like, or how it would be,--till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it.
She made many inquiries as to Mrs. Stowe's personal appearance; and it evidently harmonised well with some theory of hers, to hear that the author of Uncle Tom's Cabin was small and slight. It was another theory of hers, that no mixtures of blood produced such fine characters, mentally and morally, as the Scottish and English.
I recollect, too, her saying how acutely she dreaded a charge of plagiarism, when, after she had written "Jane Eyre;" she read the thrilling effect of the mysterious scream at midnight in Mrs. Marsh's story of the "Deformed." She also said that, when she read the "Neighbours," she thought every one would fancy that she must have taken her conception of Jane Eyre's character from that of "Francesca," the narrator of Miss Bremer's story. For my own part, I cannot see the slightest resemblance between the two characters, and so I told her; but she persisted in saying that Francesca was Jane Eyre married to a good-natured "Bear" of a Swedish surgeon.
We went, not purposely, but accidentally, to see various poor people in our distant walks. From one we had borrowed an umbrella; in the house of another we had taken shelter from a rough September storm. In all these cottages, her quiet presence was known. At three miles from her home, the chair was dusted for her, with a kindly "Sit ye down, Miss Bronte;" and she knew what absent or ailing members of the family to inquire after. Her quiet, gentle words, few though they might be, were evidently grateful to those Yorkshire ears. Their welcome to her, though rough and curt, was sincere and hearty.
We talked about the different courses through which life ran. She said, in her own composed manner, as if she had accepted the theory as a fact, that she believed some were appointed beforehand to sorrow and much disappointment; that it did not fall to the lot of all--as Scripture told us--to have their lines fall in pleasant places; that it was well for those who had rougher paths, to perceive that such was God's will concerning them, and try to moderate their expectations, leaving hope to those of a different doom, and seeking patience and resignation as the virtues they were to cultivate. I took a different view: I thought that human lots were more equal than she imagined; that to some happiness and sorrow came
I remember two or three subjects of the conversations which she and I held in the evenings, besides those alluded to in my letter.
I asked her whether she had ever taken opium, as the description given of its effects in "Villette" was so exactly like what I had experienced,--vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist , etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep,--wondering what it was like, or how it would be,--till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it.
She made many inquiries as to Mrs. Stowe's personal appearance; and it evidently harmonised well with some theory of hers, to hear that the author of Uncle Tom's Cabin was small and slight. It was another theory of hers, that no mixtures of blood produced such fine characters, mentally and morally, as the Scottish and English.
I recollect, too, her saying how acutely she dreaded a charge of plagiarism, when, after she had written "Jane Eyre;" she read the thrilling effect of the mysterious scream at midnight in Mrs. Marsh's story of the "Deformed." She also said that, when she read the "Neighbours," she thought every one would fancy that she must have taken her conception of Jane Eyre's character from that of "Francesca," the narrator of Miss Bremer's story. For my own part, I cannot see the slightest resemblance between the two characters, and so I told her; but she persisted in saying that Francesca was Jane Eyre married to a good-natured "Bear" of a Swedish surgeon.
We went, not purposely, but accidentally, to see various poor people in our distant walks. From one we had borrowed an umbrella; in the house of another we had taken shelter from a rough September storm. In all these cottages, her quiet presence was known. At three miles from her home, the chair was dusted for her, with a kindly "Sit ye down, Miss Bronte;" and she knew what absent or ailing members of the family to inquire after. Her quiet, gentle words, few though they might be, were evidently grateful to those Yorkshire ears. Their welcome to her, though rough and curt, was sincere and hearty.
We talked about the different courses through which life ran. She said, in her own composed manner, as if she had accepted the theory as a fact, that she believed some were appointed beforehand to sorrow and much disappointment; that it did not fall to the lot of all--as Scripture told us--to have their lines fall in pleasant places; that it was well for those who had rougher paths, to perceive that such was God's will concerning them, and try to moderate their expectations, leaving hope to those of a different doom, and seeking patience and resignation as the virtues they were to cultivate. I took a different view: I thought that human lots were more equal than she imagined; that to some happiness and sorrow came