The Life of Charlotte Bronte-2 [13]
be able to make should prove agreeable and advantageous to you, I shall be well satisfied; and it would be a serious source of regret to me if I thought you ever had reason to repent being my publishers.
"You need not apologise, Gentlemen, for having written to me so seldom; of course I am always glad to hear from you, but I am truly glad to hear from Mr. Williams likewise; he was my first favourable critic; he first gave me encouragement to persevere as an author, consequently I naturally respect him and feel grateful to him.
"Excuse the informality of my letter, and believe me, Gentlemen, yours respectfully,
CURRER BELL."
There is little record remaining of the manner in which the first news of its wonderful success reached and affected the one heart of the three sisters. I once asked Charlotte--we were talking about the description of Lowood school, and she was saying that she was not sure whether she should have written it, if she had been aware how instantaneously it would have been identified with Cowan Bridge--whether the popularity to which the novel attained had taken her by surprise. She hesitated a little, and then said: "I believed that what had impressed me so forcibly when I wrote it, must make a strong impression on any one who read it. I was not surprised at those who read "Jane Eyre" being deeply interested in it; but I hardly expected that a book by an unknown author could find readers."
The sisters had kept the knowledge of their literary ventures from their father, fearing to increase their own anxieties and disappointment by witnessing his; for he took an acute interest in all that befell his children, and his own tendency had been towards literature in the days when he was young and hopeful. It was true he did not much manifest his feelings in words; he would have thought that he was prepared for disappointment as the lot of man, and that he could have met it with stoicism; but words are poor and tardy interpreters of feelings to those who love one another, and his daughters knew how he would have borne ill-success worse for them than for himself. So they did not tell him what they were undertaking. He says now that he suspected it all along, but his suspicions could take no exact form, as all he was certain of was, that his children were perpetually writing--and not writing letters. We have seen how the communications from their publishers were received "under cover to Miss Bronte." Once, Charlotte told me, they overheard the postman meeting Mr. Bronte, as the latter was leaving the house, and inquiring from the parson where one Currer Bell could be living, to which Mr. Bronte replied that there was no such person in the parish. This must have been the misadventure to which Miss Bronte alludes in the beginning of her correspondence with Mr. Aylott.
Now, however, when the demand for the work had assured success to "Jane Eyre," her sisters urged Charlotte to tell their father of its publication. She accordingly went into his study one afternoon after his early dinner, carrying with her a copy of the book, and one or two reviews, taking care to include a notice adverse to it.
She informed me that something like the following conversation took place between her and him. (I wrote down her words the day after I heard them; and I am pretty sure they are quite accurate.)
"Papa, I've been writing a book."
"Have you, my dear?"
"Yes, and I want you to read it."
"I am afraid it will try my eyes too much."
"But it is not in manuscript: it is printed."
"My dear! you've never thought of the expense it will be! It will be almost sure to be a loss, for how can you get a book sold? No one knows you or your name."
"But, papa, I don't think it will be a loss; no more will you, if you will just let me read you a review or two, and tell you more about it."
So she sate down and read some of the reviews to her father; and then, giving him the copy of "Jane Eyre" that she intended for him, she left him to read it. When he came in to tea, he said, "Girls, do you know Charlotte has
"You need not apologise, Gentlemen, for having written to me so seldom; of course I am always glad to hear from you, but I am truly glad to hear from Mr. Williams likewise; he was my first favourable critic; he first gave me encouragement to persevere as an author, consequently I naturally respect him and feel grateful to him.
"Excuse the informality of my letter, and believe me, Gentlemen, yours respectfully,
CURRER BELL."
There is little record remaining of the manner in which the first news of its wonderful success reached and affected the one heart of the three sisters. I once asked Charlotte--we were talking about the description of Lowood school, and she was saying that she was not sure whether she should have written it, if she had been aware how instantaneously it would have been identified with Cowan Bridge--whether the popularity to which the novel attained had taken her by surprise. She hesitated a little, and then said: "I believed that what had impressed me so forcibly when I wrote it, must make a strong impression on any one who read it. I was not surprised at those who read "Jane Eyre" being deeply interested in it; but I hardly expected that a book by an unknown author could find readers."
The sisters had kept the knowledge of their literary ventures from their father, fearing to increase their own anxieties and disappointment by witnessing his; for he took an acute interest in all that befell his children, and his own tendency had been towards literature in the days when he was young and hopeful. It was true he did not much manifest his feelings in words; he would have thought that he was prepared for disappointment as the lot of man, and that he could have met it with stoicism; but words are poor and tardy interpreters of feelings to those who love one another, and his daughters knew how he would have borne ill-success worse for them than for himself. So they did not tell him what they were undertaking. He says now that he suspected it all along, but his suspicions could take no exact form, as all he was certain of was, that his children were perpetually writing--and not writing letters. We have seen how the communications from their publishers were received "under cover to Miss Bronte." Once, Charlotte told me, they overheard the postman meeting Mr. Bronte, as the latter was leaving the house, and inquiring from the parson where one Currer Bell could be living, to which Mr. Bronte replied that there was no such person in the parish. This must have been the misadventure to which Miss Bronte alludes in the beginning of her correspondence with Mr. Aylott.
Now, however, when the demand for the work had assured success to "Jane Eyre," her sisters urged Charlotte to tell their father of its publication. She accordingly went into his study one afternoon after his early dinner, carrying with her a copy of the book, and one or two reviews, taking care to include a notice adverse to it.
She informed me that something like the following conversation took place between her and him. (I wrote down her words the day after I heard them; and I am pretty sure they are quite accurate.)
"Papa, I've been writing a book."
"Have you, my dear?"
"Yes, and I want you to read it."
"I am afraid it will try my eyes too much."
"But it is not in manuscript: it is printed."
"My dear! you've never thought of the expense it will be! It will be almost sure to be a loss, for how can you get a book sold? No one knows you or your name."
"But, papa, I don't think it will be a loss; no more will you, if you will just let me read you a review or two, and tell you more about it."
So she sate down and read some of the reviews to her father; and then, giving him the copy of "Jane Eyre" that she intended for him, she left him to read it. When he came in to tea, he said, "Girls, do you know Charlotte has