The Life of George Borrow [160]
March 1843) he writes to John Murray, Junr.: "I hope by the end of next year that I shall have part of my life ready for the press in 3 vols." Six months later (2nd Oct. 1843) he writes to John Murray:-
"I wish I had another Bible ready; but slow and sure is my maxim. The book which I am at present about will consist, if I live to finish it of a series of Rembrandt pictures interspersed here and there with a Claude. I shall tell the world of my parentage, my early thoughts and habits; how I became a sap-engro, or viper- catcher; my wanderings with the regiment in England, Scotland and Ireland . . . Then a great deal about Norwich, Billy Taylor, Thurtell, etc.; how I took to study and became a lav-engro. What do you think of this as a bill of fare for the FIRST Vol.? The second will consist of my adventures in London as an author in the year '23 (sic), adventures on the Big North Road in '24 (sic), Constantinople, etc. The third--but I shall tell you no more of my secrets."
In a letter to John Murray (25th Oct. 8843), the title is referred to as Lavengro: A Biography. It is to be "full of grave fun and solemn laughter like the Bible." On 6th December he again writes:-
"I do not wish for my next book to be advertised yet; I have a particular reason. The Americans are up to everything which affords a prospect of gain, and I should not wonder that, provided I were to announce my title, and the book did not appear forthwith, they would write one for me and send forth their trash into the world under my name. For my own part I am in no hurry," he proceeds. "I am writing to please myself, and am quite sure that if I can contrive to please myself, I shall please the public also. Had I written a book less popular than the Bible, I should be less cautious; but I know how much is expected from me, and also know what a roar of exultation would be raised by my enemies (and I have plenty) were I to produce anything that was not first rate."
Time after time he insists upon his determination to publish nothing that is not "as good as the last." "I shall go on with my Life," he writes, to Ford (9th Feb. 1844), "but slowly and lazily. What I write, however, is GOOD. I feel it is good, strange and wild as it is." {367a}
From 24th-27th Jan. 1844 that "most astonishing fellow" Richard Ford visited Borrow at Oulton, urging again in person, most likely, the lifting of the veil that obscured those seven mysterious years. Ford has himself described this visit to Borrow in a letter written from Oulton Hall.
"I am here on a visit to El Gitano;" he writes, "two 'rum' coves, in a queer country . . . we defy the elements, and chat over las cosas de Espana, and he tells me portions of his life, more strange even than his book. We scamper by day over the country in a sort of gig, which reminds me of Mr Weare on his trip with Mr THURTELL [Borrow's old preceptor]; 'Sidi Habismilk' is in the stable and a Zamarra [sheepskin coat] now before me, writing as I am in a sort of summer- house called La Mezquita, in which El Gitano concocts his lucubrations, and PAINTS his pictures, for his object is to colour up and poetise his adventures."
By this last sentence Ford showed how thoroughly he understood Borrow's literary methods. A fortnight later Borrow writes to Ford:-
"You can't think how I miss you and our chats by the fireside. The wine, now I am alone, has lost its flavour, and the cigars make me ill. I am frequently in my valley of the shadows, and had I not my summer jaunt [the Eastern Tour] to look forward to, I am afraid it would be all up with your friend and Batushka."
The Eastern Tour considerably interfered with the writing of Lavengro. There was a seven months' break; but Borrow settled down to work on it again, still determined to take his time and produce a book that should be better than The Bible in Spain.
Ford's Hand-Book for Travellers in Spain and Readers at Home appeared in 1845, a work that had cost its author upwards of sixteen years of labour. In a letter to Borrow he characterised
"I wish I had another Bible ready; but slow and sure is my maxim. The book which I am at present about will consist, if I live to finish it of a series of Rembrandt pictures interspersed here and there with a Claude. I shall tell the world of my parentage, my early thoughts and habits; how I became a sap-engro, or viper- catcher; my wanderings with the regiment in England, Scotland and Ireland . . . Then a great deal about Norwich, Billy Taylor, Thurtell, etc.; how I took to study and became a lav-engro. What do you think of this as a bill of fare for the FIRST Vol.? The second will consist of my adventures in London as an author in the year '23 (sic), adventures on the Big North Road in '24 (sic), Constantinople, etc. The third--but I shall tell you no more of my secrets."
In a letter to John Murray (25th Oct. 8843), the title is referred to as Lavengro: A Biography. It is to be "full of grave fun and solemn laughter like the Bible." On 6th December he again writes:-
"I do not wish for my next book to be advertised yet; I have a particular reason. The Americans are up to everything which affords a prospect of gain, and I should not wonder that, provided I were to announce my title, and the book did not appear forthwith, they would write one for me and send forth their trash into the world under my name. For my own part I am in no hurry," he proceeds. "I am writing to please myself, and am quite sure that if I can contrive to please myself, I shall please the public also. Had I written a book less popular than the Bible, I should be less cautious; but I know how much is expected from me, and also know what a roar of exultation would be raised by my enemies (and I have plenty) were I to produce anything that was not first rate."
Time after time he insists upon his determination to publish nothing that is not "as good as the last." "I shall go on with my Life," he writes, to Ford (9th Feb. 1844), "but slowly and lazily. What I write, however, is GOOD. I feel it is good, strange and wild as it is." {367a}
From 24th-27th Jan. 1844 that "most astonishing fellow" Richard Ford visited Borrow at Oulton, urging again in person, most likely, the lifting of the veil that obscured those seven mysterious years. Ford has himself described this visit to Borrow in a letter written from Oulton Hall.
"I am here on a visit to El Gitano;" he writes, "two 'rum' coves, in a queer country . . . we defy the elements, and chat over las cosas de Espana, and he tells me portions of his life, more strange even than his book. We scamper by day over the country in a sort of gig, which reminds me of Mr Weare on his trip with Mr THURTELL [Borrow's old preceptor]; 'Sidi Habismilk' is in the stable and a Zamarra [sheepskin coat] now before me, writing as I am in a sort of summer- house called La Mezquita, in which El Gitano concocts his lucubrations, and PAINTS his pictures, for his object is to colour up and poetise his adventures."
By this last sentence Ford showed how thoroughly he understood Borrow's literary methods. A fortnight later Borrow writes to Ford:-
"You can't think how I miss you and our chats by the fireside. The wine, now I am alone, has lost its flavour, and the cigars make me ill. I am frequently in my valley of the shadows, and had I not my summer jaunt [the Eastern Tour] to look forward to, I am afraid it would be all up with your friend and Batushka."
The Eastern Tour considerably interfered with the writing of Lavengro. There was a seven months' break; but Borrow settled down to work on it again, still determined to take his time and produce a book that should be better than The Bible in Spain.
Ford's Hand-Book for Travellers in Spain and Readers at Home appeared in 1845, a work that had cost its author upwards of sixteen years of labour. In a letter to Borrow he characterised