The Life of George Borrow [188]
have protected it. No attempt was ever made to refute the vile calumny that it was a book got up against the Popish agitation of '51. It was written years previous to that period--a fact of which none is better aware than the Publisher. Is that calumny to be still permitted to go unanswered?
If these suggestions are attended to, well and good; if not, Mr Borrow can bide his time. He is independent of the public and of everybody. Say no more on that Russian Subject. Mr Borrow has had quite enough of the press. If he wrote a book on Russia, it would be said to be like The Bible in Spain, or it would be said to be unlike The Bible in Spain, and would be blamed in either case. He has written a book in connection with England such as no other body could have written, and he now rests from his labours. He has found England an ungrateful country. It owes much to him, and he owes nothing to it. If he had been a low ignorant impostor, like a person he could name, he would have been employed and honoured.--I remain, Yours sincerely,
MARY BORROW.
On 5th April 1856 Mrs Borrow wrote again, requesting Murray to return the manuscript, but for what purpose she does not state. Two days later it was despatched by rail from Albemarle Street.
Some years before, Borrow had met Rev. Whitwell Elwin, Rector of Booton, somewhere about the time he (Elwin) came up to London to edit The Quarterly Review, viz., 1853. {431a} The first interview between the two men has been described as characteristic of both.
"Borrow was just then very sore with his slashing critics, and on someone mentioning that Elwin was a 'Quartering reviewer,' he said, 'Sir, I wish you a better employment.' Then hastily changing the subject, he called out, 'What party are you in the Church-- Tractarian, Moderate, or Evangelical? I am happy to say, _I_ am the old HIGH.' 'I am happy to say I am NOT,' was Elwin's emphatic reply. Borrow boasted of his proficiency in the Norfolk dialect, which he endeavoured to speak as broadly as possible. 'I told him,' said Elwin, 'that he had not cultivated it with his usual success.' As the conversation proceeded it became less disputatious, and the two ended by becoming so cordial that they promised to visit each other. Borrow fulfilled his promise in the following October, when he went to Booton, and was 'full of anecdote and reminiscence,' and delighted the rectory children by singing them songs in the gypsy tongue. Elwin during this visit urged him to try his hand at an article for the Review. 'Never,' he said, 'I have made a resolution never to have anything to do with such a blackguard trade.'" {432a}
Elwin became greatly interested in The Romany Rye. He endeavoured to influence its composition, and even wrote to Borrow begging him "to give his sequel to Lavengro more of an historical, and less of a romancing air." He was not happy about the book. He wrote to John Murray in March:-
"'It is not the statements themselves which provoke incredulity, but the melodramatic effect which he tries to impart to all his adventures.' Instead of 'roaring like a lion,' in reply, as Elwin had expected, he returned quite a 'lamb-like' note, which gave promise of a greater success for his new work than its precursor." {432b}
Borrow appears to have become tired of biding his time with regard to The Romany Rye, and on 27th Feb. 1857 he wrote to John Murray to say that "the work must go to press, and that unless the printing is forthwith commenced, I must come up to London and make arrangements myself. Time is passing away. It ought to have appeared many years ago. I can submit to no more delays." The work was accordingly proceeded with, and Elwin wrote a criticism of the work for The Quarterly Review from the proof-sheets:-
"When the review was almost finished, it was on the point of being altogether withdrawn, owing to a passage in Romany Rye which Elwin said was clearly meant to be a reflection on his friend Ford, 'to avenge the presumed refusal of the latter to praise Lavengro in The Quarterly
If these suggestions are attended to, well and good; if not, Mr Borrow can bide his time. He is independent of the public and of everybody. Say no more on that Russian Subject. Mr Borrow has had quite enough of the press. If he wrote a book on Russia, it would be said to be like The Bible in Spain, or it would be said to be unlike The Bible in Spain, and would be blamed in either case. He has written a book in connection with England such as no other body could have written, and he now rests from his labours. He has found England an ungrateful country. It owes much to him, and he owes nothing to it. If he had been a low ignorant impostor, like a person he could name, he would have been employed and honoured.--I remain, Yours sincerely,
MARY BORROW.
On 5th April 1856 Mrs Borrow wrote again, requesting Murray to return the manuscript, but for what purpose she does not state. Two days later it was despatched by rail from Albemarle Street.
Some years before, Borrow had met Rev. Whitwell Elwin, Rector of Booton, somewhere about the time he (Elwin) came up to London to edit The Quarterly Review, viz., 1853. {431a} The first interview between the two men has been described as characteristic of both.
"Borrow was just then very sore with his slashing critics, and on someone mentioning that Elwin was a 'Quartering reviewer,' he said, 'Sir, I wish you a better employment.' Then hastily changing the subject, he called out, 'What party are you in the Church-- Tractarian, Moderate, or Evangelical? I am happy to say, _I_ am the old HIGH.' 'I am happy to say I am NOT,' was Elwin's emphatic reply. Borrow boasted of his proficiency in the Norfolk dialect, which he endeavoured to speak as broadly as possible. 'I told him,' said Elwin, 'that he had not cultivated it with his usual success.' As the conversation proceeded it became less disputatious, and the two ended by becoming so cordial that they promised to visit each other. Borrow fulfilled his promise in the following October, when he went to Booton, and was 'full of anecdote and reminiscence,' and delighted the rectory children by singing them songs in the gypsy tongue. Elwin during this visit urged him to try his hand at an article for the Review. 'Never,' he said, 'I have made a resolution never to have anything to do with such a blackguard trade.'" {432a}
Elwin became greatly interested in The Romany Rye. He endeavoured to influence its composition, and even wrote to Borrow begging him "to give his sequel to Lavengro more of an historical, and less of a romancing air." He was not happy about the book. He wrote to John Murray in March:-
"'It is not the statements themselves which provoke incredulity, but the melodramatic effect which he tries to impart to all his adventures.' Instead of 'roaring like a lion,' in reply, as Elwin had expected, he returned quite a 'lamb-like' note, which gave promise of a greater success for his new work than its precursor." {432b}
Borrow appears to have become tired of biding his time with regard to The Romany Rye, and on 27th Feb. 1857 he wrote to John Murray to say that "the work must go to press, and that unless the printing is forthwith commenced, I must come up to London and make arrangements myself. Time is passing away. It ought to have appeared many years ago. I can submit to no more delays." The work was accordingly proceeded with, and Elwin wrote a criticism of the work for The Quarterly Review from the proof-sheets:-
"When the review was almost finished, it was on the point of being altogether withdrawn, owing to a passage in Romany Rye which Elwin said was clearly meant to be a reflection on his friend Ford, 'to avenge the presumed refusal of the latter to praise Lavengro in The Quarterly