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The Life of George Borrow [26]

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one great, and the other small." {62b} Borrow had learned the blacksmith's art when in Ireland, and the anvil, bellows and smith's hammers were to prove extremely useful.

A few days after pitching his tent, Borrow received from his old enemy Mrs Herne, Mr Petulengro's mother-in-law, a poisoned cake, which came very near to ending his career. He then encountered the Welsh preacher ("the worthiest creature I ever knew") and his wife, who were largely instrumental in saving him from Mrs Herne's poison. Having remained with his new friends for nine days, he accompanied them as far as the Welsh border, where he confessed himself the translator of Ab Gwilym, giving as an excuse for not accompanying them further that it was "neither fit nor proper that I cross into Wales at this time, and in this manner. When I go into Wales, I should wish to go in a new suit of superfine black, with hat and beaver, mounted on a powerful steed, black and glossy, like that which bore Greduv to the fight of Catraeth. I should wish, moreover," he continued, "to see the Welshmen assembled on the border ready to welcome me with pipe and fiddle, and much whooping and shouting, and to attend me to Wrexham, or even as far as Machynllaith, where I should wish to be invited to a dinner at which all the bards should be present, and to be seated at the right hand of the president, who, when the cloth was removed, should arise, and amidst cries of silence, exclaim--'Brethren and Welshmen, allow me to propose the health of my most respectable friend the translator of the odes of the great Ab Gwilym, the pride and glory of Wales.'" {63a}

He returned with Mr Petulengro, who directed him to Mumber Lane (Mumper's Dingle), near Willenhall, in Staffordshire, "the little dingle by the side of the great north road." Here Borrow encamped and shod little Ambrol, who kicked him over as a reminder of his clumsiness.

He had refused an invitation from Mr Petulengro to become a Romany chal and take a Romany bride, the granddaughter of his would-be murderess, who "occasionally talked of" him. He yearned for solitude and the country's quiet. He told Mr Petulengro that he desired only some peaceful spot where he might hold uninterrupted communion with his own thoughts, and practise, if so inclined, either tinkering or the blacksmith's art, and he had been directed to Mumper's Dingle, which was to become the setting of the most romantic episode in his life.

In the dingle Borrow experienced one of his worst attacks of the "Horrors"--the "Screaming Horrors." He raged like a madman, a prey to some indefinable, intangible fear; clinging to his "little horse as if for safety and protection." {64a} He had not recovered from the prostrating effects of that night of tragedy when he was called upon to fight Anselo Herne, "the Flaming Tinman," who somehow or other seemed to be part of the bargain he had made with Jack Slingsby, and encounter the queen of road-girls, Isopel Berners. The description of the fight has been proclaimed the finest in our language, and by some the finest in the world's literature.

Isopel Berners is one of the great heroines of English Literature. As drawn by Borrow, with her strong arm, lion-like courage and tender tearfulness, she is unique. However true or false the account of her relations with Borrow may be, she is drawn by him as a living woman. He was incapable of conceiving her from his imagination. It may go unquestioned that he actually met an Isopel Berners, {64b} but whether or no his parting from her was as heart-rendingly tragic as he has depicted it, is open to very grave question.

With this queen of the roads he seems to have been less reticent and more himself than with any other of his vagabond acquaintance, not excepting even Mr Petulengro. To the handsome, tall girl with "the flaxen hair, which hung down over her shoulders unconfined," and the "determined but open expression," he showed a more amiable side of his character; yet he seems to have treated her with no little cruelty. He told her about himself, how
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