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The Life of John Bunyan [46]

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than in poetry. Besides his world-famous "Grace Abounding," he

produced during the first six years of his gaol life a treatise on

prayer, entitled "Praying in the Spirit;" a book on "Christian

Behaviour," setting forth with uncompromising plainness the

relative duties of husbands and wives, parents and children,

masters and servants, by which those who profess a true faith are

bound to show forth its reality and power; the "Holy City," an

exposition of the vision in the closing chapters of the Book of

Revelation, brilliant with picturesque description and rich in

suggestive thought, which, he tells us, had its origin in a sermon

preached by him to his brethren in bonds in their prison chamber;

and a work on the "Resurrection of the Dead and Eternal Judgment."

On these works we may not linger. There is not one of them which

is not marked by vigour of thought, clearness of language, accuracy

of arrangement, and deep spiritual experience. Nor is there one

which does not here and there exhibit specimens of Bunyan's

picturesque imaginative power, and his command of forcible and racy

language. Each will reward perusal. His work on "Prayer" is

couched in the most exalted strain, and is evidently the production

of one who by long and agonizing experience had learnt the true

nature of prayer, as a pouring out of the soul to God, and a

wrestling with Him until the blessing, delayed not denied, is

granted. It is, however, unhappily deformed by much ignorant

reviling of the Book of Common Prayer. He denounces it as "taken

out of the papistical mass-book, the scraps and fragments of some

popes, some friars, and I know not what;" and ridicules the order

of service it propounds to the worshippers. "They have the matter

and the manner of their prayer at their fingers' ends; they set

such a prayer for such a day, and that twenty years before it

comes: one for Christmas, another for Easter, and six days after

that. They have also bounded how many syllables must be said in

every one of them at their public exercises. For each saint's day

also they have them ready for the generations yet unborn to say.

They can tell you also when you shall kneel, when you shall stand,

when you should abide in your seats, when you should go up into the

chancel, and what you should do when you come there. All which the

apostles came short of, as not being able to compose so profound a

manner." This bitter satirical vein in treating of sacred things

is unworthy of its author, and degrading to his sense of reverence.

It has its excuse in the hard measure he had received from those

who were so unwisely endeavouring to force the Prayer Book on a

generation which had largely forgotten it. In his mind, the men

and the book were identified, and the unchristian behaviour of its

advocates blinded his eyes to its merits as a guide to devotion.

Bunyan, when denouncing forms in worship, forgot that the same

apostle who directs that in our public assemblies everything should

be done "to edification," directs also that everything should be

done "decently and in order."



By far the most important of these prison works - "The Pilgrim's

Progress," belonging, as will be seen, to a later period - is the

"Grace Abounding," in which with inimitable earnestness and

simplicity Bunyan gives the story of his early life and his

religious history. This book, if he had written no other, would

stamp Bunyan as one of the greatest masters of the English language

of his own or any other age. In graphic delineation of the

struggles of a conscience convicted of sin towards a hardly won

freedom and peace, the alternations of light and darkness, of hope

and despair, which chequered its course, its morbid self-torturing

questionings of motive and action, this work of the travelling

tinker, as a spiritual history, has never been surpassed. Its

equal can hardly be found, save perhaps in the "Confessions
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