The Life of Samuel Johnson - James Boswell [326]
The common remark as to the utility of reading history being made; – JOHNSON. ‘We must consider how very little history there is; I mean real authentick history. That certain Kings reigned, and certain battles were fought, we can depend upon as true; but all the colouring, all the philosophy, of history is conjecture.’ BOSWELL. ‘Then, Sir, you would reduce all history to no better than an almanack, a mere chronological series of remarkable events.’ Mr. Gibbon, who must at that time have been employed upon his History, of which he published the first volume in the following year, was present; but did not step forth in defence of that species of writing. He probably did not like to trust himself with JOHNSON!a
Johnson observed, that the force of our early habits was so great, that though reason approved, nay, though our senses relished a different course, almost every man returned to them. I do not believe there is any observation upon human nature better founded than this; and, in many cases, it is a very painful truth; for where early habits have been mean and wretched, the joy and elevation resulting from better modes of life must be damped by the gloomy consciousness of being under an almost inevitable doom to sink back into a situation which we recollect with disgust. It surely may be prevented, by constant attention and unremitting exertion to establish contrary habits of superiour efficacy.
The Beggar’s Opera,486 and the common question, whether it was pernicious in its effects, having been introduced; – JOHNSON. ‘As to this matter, which has been very much contested, I myself am of opinion, that more influence has been ascribed to The Beggar’s Opera, than it in reality ever had; for I do not believe that any man was ever made a rogue by being present at its representation. At the same time I do not deny that it may have some influence, by making the character of a rogue familiar, and in some degree pleasing.’b Then collecting himself as it were, to give a heavy stroke: ‘There is in it such a labefactation488 of all principles, as may be injurious to morality.’
While he pronounced this response, we sat in a comical sort of restraint, smothering a laugh, which we were afraid might burst out. In his Life of Gay, he has been still more decisive as to the inefficiency of The Beggar’s Opera in corrupting society. But I have ever thought somewhat differently; for, indeed, not only are the gaiety and heroism of a highwayman very captivating to a youthful imagination, but the arguments for adventurous depredation are so plausible, the allusions so lively, and the contrasts with the ordinary and more painful modes of acquiring property are so artfully displayed, that it requires a cool and strong judgement to resist so imposing an aggregate: yet, I own, I should be very sorry to have The Beggar’s Opera suppressed; for there is in it so much of real London life, so much brilliant wit, and such a variety of airs, which, from early association of ideas, engage, soothe, and enliven the mind, that no performance which the theatre exhibits, delights me more.
The late ‘worthy’ Duke of Queensberry, as Thomson, in his Seasons, justly characterises him,489 told me, that when Gay first shewed him The Beggar’s Opera, his Grace’s observation was, ‘This is a very odd thing, Gay; I am satisfied that it is either a very good thing, or a very bad thing.’ It proved the former, beyond the warmest expectations of the authour or his friends. Mr. Cambridge, however, shewed us to-day, that there was good reason enough to doubt concerning its success. He was told by Quin, that during the first night of its appearance it was long in a very dubious state; that there was a disposition to damn it, and that it was saved by the song,
‘Oh ponder well! be not severe!’
the audience being much affected by the innocent looks of Polly, when she came to those two lines, which exhibit at once a painful and ridiculous image,
‘For on the rope that hangs my Dear,
Depends poor