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By Root 5012 0

Langton. ‘There is not one bad line in that poem; not one of Dryden’s careless verses.’ Sir Joshua. ‘I was glad to hear Charles Fox say, it was one of the finest poems in the English language.’ LANGTON. ‘Why was you glad? You surely had no doubt of this before.’ JOHNSON. ‘No; the merit of The Traveller is so well established, that Mr. Fox’s praise cannot augment it, nor censure diminish it.’ Sir Joshua. ‘But his friends may suspect they had too great a partiality for him.’ JOHNSON. ‘Nay, Sir, the partiality of his friends was all against him. It was with difficulty we could give him a hearing. Goldsmith had no settled notions upon any subject; so he talked always at random. It seemed to be his intention to blurt out whatever was in his mind, and see what would become of it. He was angry too, when catched in an absurdity; but it did not prevent him from falling into another the next minute. I remember Chamier, after talking with him for some time, said, “Well, I do believe he wrote this poem himself: and, let me tell you, that is believing a great deal.” Chamier once asked him, what he meant by slow, the last word in the first line of The Traveller,

“Remote, unfriended, melancholy, slow.”

Did he mean tardiness of locomotion? Goldsmith, who would say something without consideration, answered, “Yes.” I was sitting by, and said, “No, Sir; you do not mean tardiness of locomotion; you mean, that sluggishness of mind which comes upon a man in solitude.” Chamier believed then that I had written the line as much as if he had seen me write it. Goldsmith, however, was a man, who, whatever he wrote, did it better than any other man could do. He deserved a place in Westminster-Abbey, and every year he lived, would have deserved it better. He had, indeed, been at no pains to fill his mind with knowledge. He transplanted it from one place to another; and it did not settle in his mind; so he could not tell what was in his own books.’

We talked of living in the country. JOHNSON. ‘No wise man will go to live in the country, unless he has something to do which can be better done in the country. For instance: if he is to shut himself up for a year to study a science, it is better to look out to the fields, than to an opposite wall. Then, if a man walks out in the country, there is nobody to keep him from walking in again: but if a man walks out in London, he is not sure when he shall walk in again. A great city is, to be sure, the school for studying life; and “The proper study of mankind is man,” as Pope observes.’780 Bo swell. ‘I fancy London is the best place in the world for society; though I have heard that the very first society of Paris is still beyond any thing that we have here.’ JOHNSON. ‘Sir, I question if in Paris such a company as is sitting round this table could be got together in less than half a year. They talk in France of the felicity of men and women living together: the truth is, that there the men are not higher than the women, they know no more than the women do, and they are not held down in their conversation by the presence of women.’ RAMSAY. ‘Literature is upon the growth, it is in its spring in France. Here it is rather passee.’ JOHNSON. ‘Literature was in France long before we had it. Paris was the second city for the revival of letters: Italy had it first, to be sure. What have we done for literature, equal to what was done by the Stephani and others in France? Our literature came to us through France. Caxton printed only two books, Chaucer and Gower, that were not translations from the French; and Chaucer, we know, took much from the Italians. No, Sir, if literature be in its spring in France, it is a second spring; it is after a winter. We are now before the French in literature; but we had it long after them. In England, any man who wears a sword and a powdered wig is ashamed to be illiterate. I believe it is not so in France. Yet there is, probably, a great deal of learning in France, because they have such a number of religious establishments; so many men who have nothing else to do but to study. I do not