The Lighthouse Stevensons - Bella Bathurst [45]
For the first month, the men began constructing the temporary beacon and the iron pillars for the workmen’s barrack. Once the beacon was lit, work began on the foundations for the tower itself. While the diggers and borers picked away at the unyielding surface of the reef, Robert busied himself with logistics. Landing the stone blocks, he discovered, was often troublesome – in a pitching sea, transferring one-ton lumps of granite from the cargo boat to the rock was both fiddly and dangerous. And, since each block had been individually cut and shaped to slot into its dovetailed groove, any damage was fatal. Robert tried various solutions, including floating the blocks on cork at high tide in the hope that they would settle on the reef at low tide, and sinking a couple of stone-filled containers onto the rock. Neither method was satisfactory, so eventually Robert suggested the construction of a cast-iron railway to ferry blocks from the landing-place to the foundation pit. It was a costly but useful solution, influenced by Robert’s fascination with railways. More conventionally, Robert used a horse and cart to draw stones or deliver provisions at the Arbroath workyard. As a result, Robert developed a great soft spot for Bassey the horse and considered his contribution to the works as valuable as any of the men’s.
By the time work was abandoned in early October 1807 for the winter, Robert was satisfied by progress. The temporary floating light was now ready and working, the workmen’s barracks was nearing completion and work was progressing well on the foundations for the tower. The day before Robert left, John Rennie appeared for a tour of inspection. ‘I propose myself much pleasure in the viewing of your operations,’ he wrote to Robert shortly before his visit. ‘This will be heightened if in the interim you can bargain with old Neptune to favour us with a quiet sea while I am on board the floating light. I hate your Rolling Seas…however, my good Sir, we are so tossed and tumbled about in the good Theatre Of Life that it must be taken rough and smooth as it comes our way.’ He added a brief, awkward postscript, commending Robert and the Bell Rock to their ghostly mentor, Smeaton: ‘Poor old fellow, I hope he will now and then take a peep of us and inspire you with fortitude and courage to brave all difficulties and dangers, to accomplish a work which will, if successful, immortalise you