The Line of Beauty - Alan Hollinghurst [104]
"How's it going, Rick?" Ronnie said, his mournful head not moving but his glance going from side to side and back to the rear-view mirror. Nick laughed and cleared his throat. "Very well, thanks," he said. They sat low in the Celica, Ronnie long-legged, arms on his knees, like a boy in a go-kart, long fingers turning the wheel by its crossbar rather than the rim. "Yeah?" said Ronnie. "Well, that's good. How's that Ronnie, then?"
Nick laughed nervously again. "Oh, he's fine, he's very busy." It was a wonderfully approximate world the real Ronnie lived in, and perhaps he liked it that way, his customers all nicknames and mishearings, it was tactful and safe. He looked in the mirror again, and at the same time his left hand went to his waistcoat pocket and then across to Nick, with the neat little thing held invisible under it. Nick was ready for that but he had to grope for the roll of notes in his pocket. Ronnie accelerated through an amber light, and it struck Nick he was breaking the law by not wearing a seatbelt. Ronnie wasn't wearing his either, that was the sort of world he was moving in, and he thought it might hurt his feelings if he belatedly buckled up. The journey must be nearly over, and the chances were they wouldn't have a prang. Awful, though, to get pulled over for a seatbelt violation, and then be questioned, and then searched . . . He nudged Ronnie's arm and he took the money and lost it, again without looking.
They pulled in behind the church at the crown of Ladbroke Grove, in the shadowy crescent of plane trees. "Thanks very much," said Nick. He really had to rush but he didn't want to seem unfriendly. Ronnie was looking out thoughtfully through the windscreen.
"This is an old church, Rick," he said. "This must be old."
"Yeah—well, it's Victorian, I suppose, isn't it," said Nick, who in fact knew all about it.
"Yeah?" said Ronnie, and nodded. "God, there's some old stuff round here."
Nick couldn't tell quite what he was getting at. He said, "It's not that old—sort of 1840s?" He knew not everybody had a sense of history, a useful image, as he had, of the centuries like rooms in enfilade. For half a second he glimpsed what he knew about the church, that the reredos was designed by Aston Webb, that it was built on the site of the grandstand of a long-vanished racetrack. It