The Line of Beauty - Alan Hollinghurst [142]
Sally Tipper had a lot of blonde hair in expensive confusion, and a lot of clicking, rattling, sliding jewellery. She shook and nodded her head a good deal. It was virtually a twitch—of annoyance, or of almost more exasperated agreement. She had a smile that came all at once and went all at once, with no humorous gradations. She said before dinner she'd like to have drinks indoors, which, since the whole point and fetish of the manoir for the Feddens was to do everything possible outside, didn't promise well. They sat in the drawing room with all the overhead lights on, like a waiting room. Nick had seen the names "Sir Maurice and Lady Tipper" in gold letters on the donors' board at Covent Garden, and had seen her there in person, sometimes with Sophie, but never with her husband. He thought they might have a theme for the week, and said quietly that the recent Tannhduser hadn't been very good.
"Very good . . . I know . . . I thought . . . " said Lady Tipper, and shook her head in wounded defiance of all the carpers and whiners. "Now, Judy, that you really should see," she went on loudly. "You'll know that one, the Pilgrims' Chorus."
Lady Partridge, fortified by being enfamille and half-tight, said, "It's no use asking me, dear. I've never set foot in an opera house, except once, and that was thirty years ago, when . . . my son took me," and she nodded abstrusely at Gerald.
"What did you see, Judy?" said Nick.
"I think it was Salome," Lady Partridge said after a minute.
"How marvellous!" said Lady Tipper.
"I know, ghastly," said Lady Partridge.
"Oh, Ma!" said Gerald, who was listening in with a distracted smile from a chat about shares with Sir Maurice.
"I applaud your taste, Judy," said Nick, with the necessary emphasis to get through, and heard what a twit he sounded.
"Mm, I think it was by Stravinsky."
"No, no," said Nick, "it's by the dreaded . . . : Richard Strauss. Oh, by the way, Gerald, I've found the most marvellous quote, by Stravinsky, in fact, about the dreaded."
"Sorry, Maurice . . . " murmured Gerald.
"Robert Craft asks him, 'Do you now admit any of the operas of Richard Strauss?' and Stravinsky says"—and Nick beat it out, conducted it, in the weird overexcitement of the Strauss feud—" T would like to admit