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The Line of Beauty - Alan Hollinghurst [80]

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mirror, he got under the bedclothes. He lay there, with one hand behind his head, in an almost painful state of happiness and worry. Far down below, the front door was triple-locked, the lights were all out in the drawing room and kitchen, the one lantern cast its cold glare into the hall. Catherine's bedroom door was closed, but he was certain she was out. They had the house to themselves. The window was open a notch, and he could hear the throat-tearing runs and trills of a robin that had taken to singing in the garden at night, and which he had eagerly decided was a nightingale; an old lady standing listening on the gravel path had put him right. He had still, therefore, never heard a nightingale, but he couldn't imagine it bettering his robin. The question was what time would Gerald and Rachel get back. But actually, probably, not till late, it was Gerald's "surgery" in the morning, then a two-hour drive. Nick smiled at their unconscious generosity.

The shower-noise had stopped, and the robin skirled on, with sulky pauses and implacable resumptions. Nick would have liked it even better if Leo had come to bed without showering, he loved the faint sourness of his skin, the sharpness of his armpits, the sweet staleness deep between his legs. Leo's smells were little lessons constantly re-learnt, little shocks of authenticity. But to Leo himself they were a source of annoyance and almost of shame. He had a terribly keen sense of smell, revealed in a queue or a crowded room by a snubbed upper lip and an aristocratic flinching of the nostrils. He insisted he liked Nick's smells, and Nick, who had never really thought of himself as having smells, was nervously unsure if this was truth or chivalry. Perhaps it was a loving mixture of the two.

There was a kind of magic in this—to be lying in bed, a single bed, with all that it implied, and playing gently with himself, and waiting for his lover to appear. It was the posture of a lifelong singleness, incessant imagining, the boy's supremacy in a world of dreams, where men kept turning up to do his bidding; and now, that rattle of the bathroom door, snap of the light cord, squeak of the landing floor, were the signals of an actual arrival, and within three seconds the door would open and Leo would come in—

How black he looked, in the white skirt of a bath towel pulled tight round his buttocks and over the curbed jut of his dick. He held his folded clothes in his hands, like a recruit, stripped and scrubbed and given his slops—he looked around, then put them down on the desk, by the blue library books. He was a trifle formal, he winked at Nick but he was clearly moved by the ordinariness and novelty of the moment. To Nick it darkened, it had the feeling of an elopement, of elated action haunted by the fears it had defied, of two lovers suddenly strangers to each other on their first night in a foreign hotel. But after all they had only eloped upstairs, it was absurd. He felt breathless pride at having Leo here. He threw back the duvet, and said, "I'm sorry about the bed"—shifting a bit to make room.

"Eh . . . ?" said Leo.

"I don't think you'll get much sleep."

Leo let his towel drop to the floor and stared at Nick without smiling. "I'm not planning on getting any," he said.

Nick accepted the challenge with a little moan. It was the first time he had seen Leo naked, and the first time he had seen the masking shadow of his face, lazily watchful, easily cynical, clever and obtuse by turns, melt into naked feeling. Leo breathed through his mouth, and his look was a wince of lust and also, it seemed to Nick, of self-accusation—that he had been so slow, so vain, so blind.

"TO WHOM DO YOU BEAUTIFULLY BELONG?"

(1986)

7


NICK WENT AHEAD on the path and held the gate open for Wani, so that for several seconds the outside world had a view of naked flesh before the gate, with its "Men Only" sign, swung shut behind them. It was a small compound, a concrete yard, with benches round the walls under a narrow strip of roof. It was like a courtyard of the classical world reduced

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