The Line of Beauty - Alan Hollinghurst [94]
Nick had decided in the taxi that he would stick to water, but when Bertrand came in saying, "Now, drinks!" he at once saw the point of a bloody Mary. Bertrand moved towards a drinks tray on a far table and at just that moment an old man in a black jacket hurried in with a salver and took control of the business. Nick gazed at them with the patient surmise of the hungover, a sense of mysterious displacement and slow revelation. Bertrand could make a mere gesture towards an action which would at once be performed by someone else—there was a signalled readiness and then a prompt, never-doubted relief! It explained everything.
Really it was best to prop oneself at a life-like angle in the corner of the sofa and let the family talk trail back and forth . . . At the tall front windows white net curtains rippled very gently into the room. Outside on the balcony there were two pointed trees in tubs, and beyond them the planes in the square, forest-height, filled the entire view. Nick's thoughts drifted out and perched there.
Little Antoine had a remote-controlled toy car, which Wani was encouraging him to crash into the legs of the repro Louis Quinze tables and chairs. It was a bright-red Ferrari with a whiplike antenna. Nick crouched forward to watch it haring round, and made histrionic groans when it banged into the skirting board or got stuck under the bureau. He was pretending to enjoy the game, and trying to attach himself to it, but the two boys seemed oblivious of him, Wani almost snatching the controls now and then to cause a top-speed collision. Bertrand was standing talking to Uncle Emile, and shuffled obligingly out of the way a couple of times, with a certain hardening of expression. In the tilting mirror Nick saw them all, as if from a privileged angle, like actors on a set.
The parents were fascinating, Bertrand short and handsome as an old-fashioned film star, and Monique too, very smart and austere, with a black bob and a diamond brooch, evincing foreignness like a time-shift, into the chic of twenty years before. There was a subdued shine to Bertrand's dark suit, which was double-breasted, square-shouldered, and worn with a crimson breast-pocket handkerchief; he seemed to resolve into a pattern of squares and lozenges, with his square jaw, tougher than Wani's, and the same long hawkish nose, all parts of the pattern. Along his full upper lip he wore a thin black moustache. The light, low-cut patent slippers he had on seemed to Nick an eastern note. Wani had several pairs himself, with ridged rubber soles, "for walking on marble" as he explained. Bertrand's voice, strongly accented, casual but coercive, dominated the room.
Martine was sitting at the other end of Nick's sofa, in what felt like her "place," adjacent to Wani's mother. They