The Looming Tower - Lawrence Wright [3]
He was Western in so many ways—his dress, his love of classical music and Hollywood movies. He had read, in translation, the works of Darwin and Einstein, Byron and Shelley, and had immersed himself in French literature, especially Victor Hugo. Even before his journey, however, he worried about the advance of an all-engulfing Western civilization. Despite his erudition, he saw the West as a single cultural entity. The distinctions between capitalism and Marxism, Christianity and Judaism, fascism and democracy were insignificant by comparison with the single great divide in Qutb’s mind: Islam and the East on the one side, and the Christian West on the other.
America, however, stood apart from the colonialist adventures that had characterized Europe’s relations with the Arab world. At the end of the Second World War, America straddled the political chasm between the colonizers and the colonized. Indeed, it was tempting to imagine America as the anticolonial paragon: a subjugated nation that had broken free and triumphantly outstripped its former masters. The country’s power seemed to lie in its values, not in European notions of cultural superiority or privileged races and classes. And because America advertised itself as an immigrant nation, it had a permeable relationship with the rest of the world. Arabs, like most other peoples, had established their own colonies inside America, and the ropes of kinship drew them closer to the ideals that the country claimed to stand for.
And so, Qutb, like many Arabs, felt shocked and betrayed by the support that the U.S. government had given to the Zionist cause after the war. Even as Qutb was sailing out of Alexandria’s harbor, Egypt, along with five other Arab armies, was in the final stages of losing the war that established Israel as a Jewish state within the Arab world. The Arabs were stunned, not only by the determination and skill of the Israeli fighters but by the incompetence of their own troops and the disastrous decisions of their leaders. The shame of that experience would shape the Arab intellectual universe more profoundly than any other event in modern history. “I hate those Westerners and despise them!” Qutb wrote after President Harry Truman endorsed the transfer of a hundred thousand Jewish refugees into Palestine. “All of them, without any exception: the English, the French, the Dutch, and finally the Americans, who have been trusted by many.”
THE MAN IN THE STATEROOM had known romantic love, but mainly the pain of it. He had written a thinly disguised account of a failed relationship in a novel; after that, he turned his back on marriage. He said that he had been unable to find a suitable bride from the “dishonorable” women who allowed themselves to be seen in public, a stance that left him alone and unconsoled in middle age. He still enjoyed women—he was close to his three sisters—but sexuality threatened him, and he had withdrawn into a shell of disapproval, seeing sex as the main enemy of salvation.
The dearest relationship he had ever enjoyed was that with his mother, Fatima, an illiterate but pious woman, who had sent her precocious son to Cairo to study. His father died in 1933, when Qutb was twenty-seven. For the next three years he taught in various provincial posts until he was transferred to Helwan, a prosperous suburb of Cairo, and he brought the rest of his family to live with him there. His intensely conservative mother never entirely settled in; she was always on guard against the creeping foreign influences that were far more apparent in