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The Lost Art of Gratitude_ An Isabel Dalhousie Novel - Alexander McCall Smith [1]

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The lost art of gratitude / Alexander McCall Smith.

p. cm.

1. Dalhousie, Isabel (Fictitious character)—Fiction. 2. Women editors—Fiction. 3. Women philosophers—Fiction. 4. Investment bankers—Fiction. 5. Edinburgh (Scotland)—Fiction. I. Title.

PR6063.C326L67 2009

823′.914—dc22

2009022618

eISBN: 978-0-307-37857-6

www.anchorbooks.com

v3.1

This book is for Roger Cazalet—with gratitude

Contents

Cover

Praise for the Isabel Dalhousie Series

About the Author

Other Books by This Author

Title Page

Copyright

Dedication

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

CHAPTER ONE

IT WAS WHILE she was lying in bed that Isabel Dalhousie, philosopher and editor of the Review of Applied Ethics, thought about the things we do. Isabel was a light sleeper; Charlie, her eighteen-month-old son, slept deeply and, she was sure, contentedly; Jamie was somewhere in between. Yet Isabel had little difficulty in getting to sleep. Once she made up her mind to sleep, all that she had to do was to shut her eyes and, sure enough, she would drift off. The same could be done if she surfaced in the course of the night or in those melancholy small hours when both body and spirit could be at their lowest ebb. Then all she had to do was to tell herself that this was not the time to start thinking, and she would quickly return to sleep.

She had wondered about the causes of her light sleeping and had spoken about it to a friend, a specialist in sleep disorders. She had not consulted him professionally, but had brought the matter up over dinner; not before the whole table, of course, but in the intimacy of the one-to-one conversation that people have with those sitting beside them.

“I don’t like to ask about medical things,” she said.

“But …,” he said.

“Well, yes. But. You see, you doctors must dread being buttonholed by people who want to talk about their symptoms. There you are at a party and somebody says: I’ve been having these twinges of pain in my stomach …”

“Have you?”

“No, I haven’t.”

He smiled. “The old cliché, you know. Somebody comes and says, A friend of mine has this rash, you see, and I wondered what it was. That sometimes happens. Doctors understand all about embarrassment, you know.”

Isabel nodded. “But it must annoy you—being asked about medical matters.”

He thought for a moment. “Nihil humanum mihi alienum est, if I may lapse into Latin. I don’t set my mind against anything human. Doctors should subscribe to that, I think. Like priests.”

Isabel did not think the comparison quite fitting. “Priests do disapprove, don’t they? Doctors don’t—or shouldn’t. You don’t shake your head over your patients’ behaviour, do you?”

“If doctors see self-destructive behaviour, they might,” he said. “If somebody comes in with chronic vascular disease, for example, and you smell the nicotine on his fingers, of course you’re going to say something. Or a drinker comes in with liver problems. You’re going to make it clear what’s causing the problem.”

“But you don’t ladle on the blame, do you? You don’t say things like, This is all your own stupid fault. You don’t say that, even if it patently is his stupid fault.”

He played with his fork. “No, I suppose not.”

“Whereas a priest will. A priest will use the language of right and wrong. I don’t think doctors do that.” She looked at him. He was typical of a certain type of Edinburgh doctor; the old-fashioned, gentle Scottish physician, unmoved by the considerations of profit and personal gain that could so disfigure medicine. That doctors should consider themselves businessmen was, Isabel had always felt, a moral tragedy for medicine. Who was left to be altruistic? Teachers, she thought, and people who worked for charities; and public-interest lawyers, and … in fact, the list was quite long; probably every bit as long as it ever had

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