The Lost Art of Gratitude_ An Isabel Dalhousie Novel - Alexander McCall Smith [27]
Isabel sighed. “Poor fox.” It was a trite thing to say, she knew, but what else could one say about living and then dying, as we—and foxes—all must do.
Minty was silent. It was a strange moment: there was a wind, not a strong one, just a breath, and Isabel felt it against her cheek; a wind from over there, from the hills that ran towards the coast, towards the North Sea, towards the edge of Scotland. Then Minty spoke. “I don’t know how to say this,” she said.
Isabel looked at her enquiringly.
“I wondered whether I should raise it with you at all,” Minty went on. “I decided I could. You seem … well, you seem so sympathetic.”
Isabel was about to protest. She wanted to say “I’m not really,” but when she opened her mouth all she said was, “Oh.”
“Yes,” said Minty. “I’ve got plenty of friends—close ones too. But I don’t feel that I can burden any of them with this. I don’t know how they would handle it.”
Isabel ran over the possibilities in her mind. Matrimonial difficulties? That was the sort of matter one was usually worried about raising with friends. But what possible insight could Minty imagine that she, Isabel, could bring to the matrimonial problems of a person whom she barely knew? Financial problems? Surely not; not with this house and the private whisky label and the bank.
“You can speak to me,” said Isabel. “I don’t know whether I’ll be much help, but you can certainly speak to me.”
Minty thanked her. Then she continued, “The reason I thought that I should speak to you is because I know you have helped various people. Remember how we met—over that awful business with that young man who fell in the Usher Hall? Remember? And then somebody else told me about something you had done for another person. So I thought that you might not mind if I told you.”
“Told me what?” Isabel prompted.
“Or asked you, rather. Have you ever been frightened?”
In her surprise, Isabel blurted out, “Me?”
Minty bent down to pick a small blue flower growing by the side of the path. “Wild hyacinth,” she said, showing the flower to Isabel. “Uninvited.”
Isabel glanced at the flower. She remembered something she had read somewhere, some generalisation about women picking flowers and men letting them be. It was Lawrence, she thought; women were always picking flowers in his novels, watched by men. “Bavarian Gentians.” What a strange poem. Not every man has gentians in his house … Of course they didn’t …
“We’ve all been frightened at some time or other,” Isabel said. “And I’m no exception.”
Minty dropped the flower, dusting her hands as if to remove its traces. “Of course. Momentarily. It’s different, though, living with fear. All the time.”
“I suppose it is,” said Isabel. Was Minty in that position? It was difficult to imagine this competent, successful woman living with fear; it just seemed somewhat unlikely.
“Fear like that,” said Minty, “is really odd. It’s there with you all the time—you don’t forget it. It’s like … well, I suppose it’s like a thundercloud. It’s the backdrop to everything you do.”
Isabel stopped walking. It was time, she thought, to find out what Minty was driving at. She was frightened—obviously—but why? Threats of legal action? Blackmail? The possibility occurred to Isabel as she looked at the house. It was respectability and success rendered in stone and mortar, but such edifices could so easily be toppled, brought down, by a few words.
“What’s frightening you?” Isabel asked. “Is that what you want to talk about?”
The directness of Isabel’s question seemed to irritate Minty. “I was just trying to explain,” she said. “People don’t necessarily know what it’s like.”
“I can imagine,” said Isabel quickly. “But what is it? What’s making you feel that way?”
“Somebody’s targeting me,” said Minty.
“How?”
“Small things. Or quite big, sometimes. A sudden investigation by the tax authorities. That often means that somebody has given them a tip-off or made an allegation.” She paused, looking sideways