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Occasionally Jamie had to work on a Friday evening, if he was summoned to play with the chamber orchestra that relied on him when a bassoon was called for. Sometimes he would also be needed on a Friday for session work—a recording of music for a film, perhaps—but that rarely happened, and Fridays had remained more or less free ever since he had given up taking pupils on that day. These pupils were his bread and butter; he taught some of them at the Edinburgh Academy, the school on the north side of the city where he gave music lessons part-time, and others had their lessons in his flat in Saxe-Coburg Street, round the corner from the Academy. At the moment, he had told Isabel, they were not very good, although one or two of them could be competent players if they tried. But they did not practise, in spite of the exhortations he wrote in their notebooks about scales and exercises.

“Of course, Charlie will practise diligently,” Isabel had said. “When he starts playing his …” She looked at Jamie. He had said something once about miniature bassoons—something called a tenoroon. Somehow she could not picture a reduced bassoon, with miniature levers and shrunken key-work, being played by Charlie in his Macpherson tartan rompers.

Jamie understood her hesitation as a sign that it would be for him to decide the shape of Charlie’s musical education.

“Violin,” he said. “Let’s start him on strings. And anyway, they can’t blow wind instruments until they’re much older. Nine is probably the earliest. Before that their lungs aren’t strong enough and they can easily damage their lips. The muscles around the lips are still forming, you see.”

She smiled at the thought of Charlie with his unformed lips and a violin. He would attempt to eat it if she gave him one now, but they could start when he was three, which would come soon enough. And then, after the violin, when he was old enough, ten or so, he could learn the Highland bagpipes, starting on a practice chanter before proceeding to a real set, ebony drones and all, to the full, primeval wail that sent shivers down the spine. He would wear the kilt—Macpherson tartan again—and play the pipes; oh, Charlie, dear little Charlie.

That Friday, Jamie had no commitments and Isabel decided that, although she might take advantage of his presence to do some work in the earlier part of the morning, she would suggest that they should all go into town for lunch together. She had promised to see her accountant, but she had been putting it off; he had telephoned with an offer to come and see her if she would not come to him. She felt guilty about that, as he was a mild man with the air of one who was long-suffering, as no doubt he was.

“I can only do so much with the figures I’m given, Isabel,” he had told her. “I can’t make things up, you know; we don’t work that way.” She wondered whether this implied that she worked that way—making things up.

She had assured him she would give him what he wanted, and had dutifully put printing bills and postage receipts for the Review into a folder … until she had somehow forgotten. She had scrambled around and a few missing receipts had turned up, but not everything, she suspected.

“I have to see Ronnie,” she said to Jamie. “I have to give him some papers. It shouldn’t take too long. Then we can go to Glass and Thompson for lunch. Charlie likes their quiche.” And he had indeed liked it on their last visit, even if most of it had ended up on the floor around the table. Charlie had sophisticated likes, his parents were finding out to their surprise; he enjoyed olives, and would wave his hands at the sight of quail eggs. It was almost a parody of the tastes of the privileged baby and Isabel felt slightly embarrassed at the thought of it. She did not remember giving him his first olive—it would never have occurred to her to do so; had Jamie done that? And quail eggs? Would it be oysters next? It was Jamie, she decided; he tended to feed Charlie with whatever they were eating, and Charlie never refused