The Lost City [71]
made reply, even his lowered tones betraying more than ordinary impressiveness, Bruno fancied. "Mebbe easy, mebbe hard. Find dat, when try. We go dis way. Best be still, dough!"
Bruno was ready enough to promise all that, just so action was being taken, his uneasiness being by far too deep for rest or repose. More on account of his uncle and his brother, though, than for his own safety. He had not yet lost hope of extrication from the perils which surely surrounded them, not quite abandoned hope of rescuing the Children of the Sun as well.
Turning abruptly to the left, Ixtli led the way into what appeared (through the senses of touch and hearing) to be a narrow, winding tunnel, which presently took an upward incline, then broadened into a chamber of greater or lesser dimensions; the faint echoes told Gillespie there was an enlargement of some description, but the utter darkness veiled all else.
Barely had the two adventurous youths come to a pause, than dull, uncertain sounds came from almost directly above their heads; and, after listening for a brief space, Ixtli disappointedly breathed a fear that they would have to wait for the time being.
"Why? What's going on up yonder? And where are we, anyway?"
Beneath the great teocalli, Ixtli made answer in his disjointed way of speaking. There the evil-minded paba, Tlacopa, reigned supreme. And there, almost directly above their heads, stood the sacrificial stone, upon whose flat surface the Sun Children would be doomed to suffer the last penalty, provided Tlacopa won his wicked will.
Bruno thrilled to his centre with fierce indignation as he, little by little, gathered this information. Perish by such hideous methods? Give up her fair young life--
For, rather queerly, considering that Ixtli spoke of both Victo and Glady, he now had thought of--could see but that one lovely face and shrinking figure,--face and form of the daughter alone.
Discovery might have come all too soon, but for Ixtli's slipping a palm over those indignant lips and thus smothering the outbreak which the young man could not avoid; then, recalled to ordinary prudence, Bruno talked and listened by turns.
Ixtli contrived to make his white brother understand just how they were situated at the time: in a secret channel of communication with the great war temple, through which sanctuary he had hoped to lead his friend, thence to escape from the valley itself, if a favourable chance should offer. Now their way was barred, and they could only wait. Unless--would Bruno keep close guard over his tongue?
Yes. Anything, rather than remain wholly idle, like this.
Adding a few minor cautions, Ixtli took Gillespie by a wrist, and stole noiselessly forward, climbing upward, over and into a contrivance which Bruno vainly sought to recognise by the sense of touch, but giving a thrill of amazement when his guide paused long enough to whisper in his nearest ear:
"Dis war-god body. Stand up in teocalli, look on kill-stone. Wait; you see, hear, all dat, now!"
Thanks to the close association of that night, with all its attendant perils, Bruno was growing fairly skilful in interpreting the broken sentences of his copper-hued chum, and he now knew they were moving about within the hollow image of the Aztecan war-god, Huitzilopochtli, while--
He caught sight of several small apertures, through which yellow light came dimly, and, almost without thinking, applied his eyes to the one most convenient, peering forth upon the broad sacrificial stone, with its foul, blood-stained surface, the little channels intended to drain off the superfluous hemorrhage, together with the gloomy, repulsive surroundings. And, too, a most abominable stench appeared to rise from the altar of death, and Bruno shrunk back with a shiver of disgust.
"No talk loud!" softly breathed Ixtli, gripping an arm with force. "Dey kill, if find now. Look, dat one Tlacopa; big priest, you call. DEM help paba fool all people; so!"
Although his meaning was not fully apparent, Bruno caught renewed interest,
Bruno was ready enough to promise all that, just so action was being taken, his uneasiness being by far too deep for rest or repose. More on account of his uncle and his brother, though, than for his own safety. He had not yet lost hope of extrication from the perils which surely surrounded them, not quite abandoned hope of rescuing the Children of the Sun as well.
Turning abruptly to the left, Ixtli led the way into what appeared (through the senses of touch and hearing) to be a narrow, winding tunnel, which presently took an upward incline, then broadened into a chamber of greater or lesser dimensions; the faint echoes told Gillespie there was an enlargement of some description, but the utter darkness veiled all else.
Barely had the two adventurous youths come to a pause, than dull, uncertain sounds came from almost directly above their heads; and, after listening for a brief space, Ixtli disappointedly breathed a fear that they would have to wait for the time being.
"Why? What's going on up yonder? And where are we, anyway?"
Beneath the great teocalli, Ixtli made answer in his disjointed way of speaking. There the evil-minded paba, Tlacopa, reigned supreme. And there, almost directly above their heads, stood the sacrificial stone, upon whose flat surface the Sun Children would be doomed to suffer the last penalty, provided Tlacopa won his wicked will.
Bruno thrilled to his centre with fierce indignation as he, little by little, gathered this information. Perish by such hideous methods? Give up her fair young life--
For, rather queerly, considering that Ixtli spoke of both Victo and Glady, he now had thought of--could see but that one lovely face and shrinking figure,--face and form of the daughter alone.
Discovery might have come all too soon, but for Ixtli's slipping a palm over those indignant lips and thus smothering the outbreak which the young man could not avoid; then, recalled to ordinary prudence, Bruno talked and listened by turns.
Ixtli contrived to make his white brother understand just how they were situated at the time: in a secret channel of communication with the great war temple, through which sanctuary he had hoped to lead his friend, thence to escape from the valley itself, if a favourable chance should offer. Now their way was barred, and they could only wait. Unless--would Bruno keep close guard over his tongue?
Yes. Anything, rather than remain wholly idle, like this.
Adding a few minor cautions, Ixtli took Gillespie by a wrist, and stole noiselessly forward, climbing upward, over and into a contrivance which Bruno vainly sought to recognise by the sense of touch, but giving a thrill of amazement when his guide paused long enough to whisper in his nearest ear:
"Dis war-god body. Stand up in teocalli, look on kill-stone. Wait; you see, hear, all dat, now!"
Thanks to the close association of that night, with all its attendant perils, Bruno was growing fairly skilful in interpreting the broken sentences of his copper-hued chum, and he now knew they were moving about within the hollow image of the Aztecan war-god, Huitzilopochtli, while--
He caught sight of several small apertures, through which yellow light came dimly, and, almost without thinking, applied his eyes to the one most convenient, peering forth upon the broad sacrificial stone, with its foul, blood-stained surface, the little channels intended to drain off the superfluous hemorrhage, together with the gloomy, repulsive surroundings. And, too, a most abominable stench appeared to rise from the altar of death, and Bruno shrunk back with a shiver of disgust.
"No talk loud!" softly breathed Ixtli, gripping an arm with force. "Dey kill, if find now. Look, dat one Tlacopa; big priest, you call. DEM help paba fool all people; so!"
Although his meaning was not fully apparent, Bruno caught renewed interest,