The Lost Continent - Bill Bryson [2]
Iowa women are almost always sensationally overweight – you see them at Merle Hay Mall in Des Moines on Saturdays, clammy and meaty in their shorts and halter tops, looking a little like elephants dressed in children’s clothes, yelling at their kids, calling out names like Dwayne and Shauna. Jack Kerouac, of all people, thought that Iowa women were the prettiest in the country, but I don’t think he ever went to Merle Hay Mall on a Saturday. I will say this, however – and it’s a strange, strange thing – the teenaged daughters of these fat women are always utterly delectable, as soft and gloriously rounded and naturally fresh-smelling as a basket of fruit. I don’t know what it is that happens to them, but it must be awful to marry one of those nubile cuties knowing that there is a time bomb ticking away in her that will at some unknown date make her bloat out into something huge and grotesque, presumably all of a sudden and without much notice, like a self-inflating raft from which the stopper has been yanked.
Even without this inducement, I don’t think I would have stayed in Iowa. I never felt altogether at home there, even when I was small. In about 1957, my grandparents gave me a Viewmaster for my birthday and a packet of discs with the title ‘Iowa – Our Glorious State’. I can remember thinking even then that the selection of glories was a trifle on the thin side. With no natural features of note, no national parks, no battlefields or famous birthplaces, the Viewmaster people had to stretch their creative 3-D talents to the full. Putting the Viewmaster to your eyes and clicking the white handle gave you, as I recall, a shot of Herbert Hoover’s birthplace, impressively three-dimensional, followed by Iowa’s other great treasure, the Little Brown Church in the Vale (which inspired the song whose tune nobody ever quite knows), the highway bridge over the Mississippi River at Davenport (all the cars seemed to be hurrying towards Illinois), a field of waving corn, the bridge over the Missouri River at Council Bluffs and the Little Brown Church in the Vale again, taken from another angle. I can remember thinking even then that there must be more to life than that.
Then one grey Sunday afternoon when I was about ten I was watching TV and there was a documentary on about movie-making in Europe. One clip showed Anthony Perkins walking along some sloping city street at dusk. I don’t remember now if it was Rome or Paris, but the street was cobbled and shiny with rain and Perkins was hunched deep in a trench coat and I thought, ‘Hey, c’est moi!’ I began to read – no, I began to consume – National Geographics, with their pictures of glowing Lapps and mist-shrouded castles and ancient cities of infinite charm. From that moment, I wanted to be a European boy. I wanted to live in an apartment across from a park in the heart of a city, and from my bedroom window look out on a crowded vista of hills and roof-tops. I wanted to ride trams and understand strange languages. I wanted friends named Werner and Marco who wore short pants and played soccer in the street and owned toys made of wood. I cannot for the life of me think why. I wanted my mother to send me out to buy long loaves of bread from a shop with a wooden pretzel hanging above the entrance, I wanted to step outside my front door and be somewhere.
As soon as I was old enough I left. I left Des Moines and Iowa and the United States and the war in Vietnam and Watergate, and settled across the world. And now when I came home it was to a foreign country, full of serial murderers