The Magician King_ A Novel - Lev Grossman [130]
The others didn’t welcome her with open arms, exactly. They weren’t open-arms types. But there was respect there. She was geared up to prove herself all over again, since based on her life thus far she was used to having to prove herself to a new gang of assholes every six months or so. And she would have, she really would have. But they weren’t going to make her. The proving was done with. The journey was the test, and she had arrived. She was in.
It wasn’t Brakebills. It was better. She felt like she’d finally won—she’d won ugly, but she’d won.
They knew about Brakebills at Murs. Not much, but they knew. Their attitude toward it was bracingly snobbish. They considered Brakebills—to the extent that they considered it at all—rather cute: a sanitized, safety-wheeled playpen for those who didn’t have the grit and the will to make it on the outside. They called it Fakebills, and Breakballs. At Brakebills you sat in classrooms and followed the rules. Perfectly fine if you like that kind of thing, but here at Murs you made your own rules, no adult supervision. Brakebills was the Beatles, Murs was the Stones. Brakebills was for Marquis of Queensberry types. Murs was more your stone-cold street-fighting man.
Most of them had even been in for the Brakebills exam, like her, though unlike her they didn’t realize that till they’d gotten to Murs and Failstaff, who had a special touch with memory spells, had wafted away the magic that was fogging their brains. They took a certain pride in it, the refuseniks. Gummidgy (Julia never did figure out what the deal with her name was) even claimed to have beaten the exam and then—a historic first—declined Fogg’s offer to matriculate and walked away. She’d chosen the life of a hedge witch instead.
Privately Julia thought that that was completely demented, and that the Brakebills crowd probably had slightly more on the ball than the others were giving them credit for. But she enjoyed the snobbism nonetheless. She’d earned that much.
They were an odd bunch at Murs. It was a menagerie—you needed a genius IQ to get into Murs, but eccentricity was not an impediment, and you’d have to be some kind of outlier to go through the grinder of the safe-house scene and not come out a little skewy. A lot of their magic was home-brewed, and as a result the range of different styles and techniques on display was bewildering. Some of them were graceful and balletic, some were so minimalist they barely moved at all. One guy was so herky-jerky he looked like he was practically break dancing. There was some popping and locking going on there.
There were specialists too. One guy mostly made magic artifacts. Gummidgy was a dedicated psychic. Fiberpunk—a short, thickset specimen almost as wide as he was tall—self-identified as a metamagician: he dealt in magic that acted on other magic, or on itself. He rarely spoke and spent a lot of time drawing. The one time Julia looked over his shoulder he explained, in a whisper, that he was drawing two-dimensional representations of three-dimensional shadows cast by four-dimensional objects.
Life was easy in Murs, but work was hard. They gave her a day to deal with her jet lag and her personal baggage, then Pouncy told her to report to the East Wing first thing the next morning. Julia didn’t fancy being told to report anywhere by Pouncy Silverkitten, whom she was accustomed to thinking of as a friend and an equal. But he just unbuttoned his shirt and showed her his stars. (Also his annoyingly smooth, well-muscled chest.) He had a lot of them. Equals they might be, but only in some abstract philosophical sense. Practically speaking he could still kick her ass at magic.
Which was why, swallowing her pride, and possibly some other feelings, she obeyed Pouncy and reported to an upstairs room in the East Wing called the Long Study at