The Magician King_ A Novel - Lev Grossman [44]
The man ate the oyster and took the key and went on his way. Soon he arrived at a house in a forest, and he knocked on the door to see if the owners could give him shelter for the night. The door was slightly ajar, so he pushed his way inside. He found the house full of beds, every room was crammed with them, and in each bed a man or a woman was sleeping. He strolled through the house until he finally found an empty one for himself. There was a clock on the wall that had run down. There was no key to wind it with, so he used the key he found in the oyster’s shell. Then he went to bed.
In the morning the clock struck seven, and he awoke. So did the other sleepers in the house. Each of them repeated the same story: they’d come to the house as strangers and taken beds for the night, but they appeared to have slept for years and years, in some cases centuries, right up until the clock struck. As the man packed up his things he found a golden key under his pillow, slightly larger than the one he had used to wind the clock.
It grew colder as the man walked. Perhaps it was colder everywhere since his daughter had been put in the castle. In time the man met a beautiful woman sitting in a pavilion, weeping because her harp was out of tune. He gave her the golden key to tune her harp, and she gave him a larger one in exchange. That one turned out to be the key to a chest buried under a tree root, with yet another, still larger key inside, which let him into a castle—but not the castle with his daughter in it—with a key resting on a table in the highest room of the tallest tower.
The man walked and walked, for weeks or months or years, he couldn’t tell anymore. When he couldn’t walk anymore he sailed, and when he couldn’t sail anymore he was at the End of the World, where sat a dignified man in a dinner suit, dangling his long legs over the edge. He was patting his lapels and turning out his pockets and looking generally perplexed.
“Bother,” said the well-dressed man. “I’ve lost the Key to the World. If I don’t wind it up and set its clockwork going again, the sun and moon and stars won’t turn, and the world will be plunged into an eternal nighttime of miserable cold and darkness. Bother!”
Being a hero, the man had observed, is largely a matter of knowing one’s cues. Without a word he drew out the key he’d found in the castle.
“How the devil—?” the man said. “Well, bother. Give it here.”
He took the key and lay full-length on the ground, mussing his fine suit, and reached his arm over the Very Edge of the World and began winding vigorously. A loud ratcheting sound could be heard.
“It’s in my back pocket,” he called over his shoulder as he worked. “You’ll have to get it yourself.”
Hesitantly, the man reached into the pocket—the well-dressed man never stopped winding—and drew out the last key. He retreated to his boat and sailed back the way he came.
A short time later, a surprisingly short time, he arrived at the magical castle where the witch had imprisoned his daughter, how long ago he could no longer tell. It really was an impressive affair, with gleaming silver walls that flashed in the sun, and it floated some ways off the ground, so that you had to ascend to it by way of a narrow winding silver staircase that flexed disquietingly when the wind blew.
The gate was black iron. The man fitted the last key into the lock and turned it.
The moment he finished the doors sprang open to reveal a beautiful woman standing right behind them, just as if she’d been waiting there for him all along. She was as tall as he was, and she must have been doing a great deal of studying with the witch while he was gone, because she absolutely glowed with magical power.
But he still recognized her. She was his daughter.
“Beautiful girl,” the man said, “it’s me. Your father. I