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The Magician King_ A Novel - Lev Grossman [71]

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beautiful rooms Quentin had ever seen.

He’d been snowed by Venice’s bizarre topography. He’d assumed they’d be shown into some crap Euro-trash crash pad, with white walls and uncomfortable couches and tiny geometrical lamps, but the building’s exterior was pure camouflage. They were in one of the big palaces on the Grand Canal. They’d come in the back way.

The entire front wall was a row of tall windows with Moorish peaks, all looking out onto the water. The obvious intention was to awe guests into a state of trembling submissiveness, and Quentin surrendered immediately. It was like a full-scale mural, a Tintoretto maybe, with vivid green water and boats of all shapes and sizes, imaginable and unimaginable, crossing back and forth. Three hideous, glittering Murano chandeliers lit the room, translucent octopuses dripping with crystals. The walls were stacked with ranks of paintings, classical landscapes and scenes of Venice. The floor was old marble tiles, their lumps and scars smothered under overlapping oriental carpets.

Everything in the room was very much just so. It was the kind of room you wanted to spend years in. It wasn’t Fillory, but things were definitely looking up. It felt like Castle Whitespire.

Their escort departed, and for the moment they were left to their own devices. Quentin and Julia sat on a sofa together; its legs were so deeply carved it looked like it was going to walk away. There were four or five other people in the room, but it was so huge that it seemed private and empty. Three men in shirtsleeves were talking in low tones over a tiny table, sipping something clear out of tiny glasses. A broad-shouldered old woman stared out at the water with her back to them. A butler, or whatever they were called in Italy, stood at the foot of the stairs.

Everyone ignored them. Julia squished herself into one corner of the couch. She pulled her feet up, putting her shoes on the nice antique upholstery.

“I guess we take a number,” Quentin said.

“We have to wait,” Julia said. “He will call us.”

She took off her glasses and closed her eyes. She was starting to withdraw again. He could see it. It seemed to come in waves. Maybe it was because she felt safe here, she could let herself go for a while. He hoped so. He would take it from here.

“I’m going to get you some water.”

“Mineral water,” she said. “Fizzy. And ask him for rye.”

If there was one thing being a king prepared you for, it was talking to domestic staff. The butler had both mineral water—frizzante—and rye. He brought the rye neat, which seemed to be how Julia wanted it. She ignored the water. He worried about her drinking. Quentin liked a drop here and there, God knew, but the volume of alcohol Julia could consume was heroic. He thought of what Eliot told him, about what he’d seen at the spa. It was like Julia was trying to anesthetize herself, or cauterize a wound, or fill in some part of her that was missing.

“Warren’s fixer must be pretty good at fixing things,” Quentin said. “This place is nice even by magician standards.”

“I cannot stay here” was all Julia said.

She sat there sipping the rye and shivering, cupping it between her hands as if it were a magic healing cordial. She drank without opening her eyes, like a baby. Quentin had the butler bring her a wrap. She had the butler bring her another rye.

“I can’t even get drunk anymore,” she said bitterly.

After that she didn’t speak. Quentin hoped she could rest. He occupied the other end of the couch, sipping a Venetian spritz (Prosecco, Aperol, soda water, twist of lemon, olive) and looking out at the canal and not thinking about what they’d do if this didn’t work out. The palace directly opposite them was pink; the setting sun was turning it salmon. Its windows were all shuttered. Over the years it had settled unevenly—one half had sunk slightly while the other half stayed where it was, creating a fault line up the middle. It must have run through the whole building, all the rooms, Quentin thought. People were probably always tripping on it. Stripy poles stuck up at odd angles from

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