The Magnificent Ambersons - Booth Tarkington [1]
Tarkington broke new artistic ground with The Turmoil (1915), the first novel in his so-called Growth trilogy documenting the changes in urban life during the era of America’s industrial expansion. William Dean Howells, the father of American realism, praised Tarkington’s vivid depiction of the human misery generated by one man’s worship of bigness and materialism. The Magnificent Ambersons (1918), the second work in the series, earned Tarkington the Pulitzer Prize. “The Magnificent Ambersons is perhaps Tarkington’s best novel,” judged Van Wyck Brooks. “[It is] a typical story of an American family and town—the great family that locally ruled the roost and vanished virtually in a day as the town spread and darkened into a city.” The Midlander (1924) concludes the trilogy with the story of a real estate developer who is both a creator and a victim of the country’s new wealth.
Tarkington won his second Pulitzer Prize for Alice Adams (1921), a novel often seen as an extension of the Growth trilogy. The unforgettable portrayal of a small-town social climber whose outlandish attempts to snare a rich husband are both poignant and hilarious, Alice Adams was later made into a film starring Katharine Hepburn. Tarkington’s other memorable books of the period include Women (1925), a cycle of amusing stories about the flourishing social life of suburban housewives, and The Plutocrat (1927), a satire of an American millionaire abroad. In addition he turned out The World Does Move (1928), a volume of autobiographical essays, and Mirthful Haven (1930), a serious novel of manners inspired by his many summers in Kennebunkport, Maine.
In the late 1920s, Tarkington commenced a prolonged battle with failing eyesight and near blindness. After undergoing more than a dozen eye operations he regained partial vision, but he was forced to dictate his work to a secretary. His joy at being able once more to see colors maintained a lifelong passion for collecting art. The entertaining stories Tarkington wrote for the Saturday Evening Post about the art business were published as Rumbin Galleries (1937). In addition he completed Some Old Portraits (1939), a book of essays about his collection, which included works by Titian, Velázquez, and Goya.
During the final years of his life Tarkington again focused on Indiana. In The Heritage of Hatcher Ide (1941) he updated the family sagas of the Growth trilogy, while in Kate Fennigate (1943) he offered another social comedy in the spirit of Alice Adams. In 1945 Tarkington was awarded the prestigious Howells Medal of the American Academy of Arts and Letters.
Booth Tarkington died at his home in Indianapolis following a short illness on May 19, 1946. The Show Piece (1947), his unfinished last novel, profiles a young egoist reminiscent of the George Minafer of The Magnificent Ambersons.
TO
SUSANAH
THE
MAGNIFICENT
AMBERSONS
CHAPTER I
Major Amberson had “made a fortune” in 1873, when other people were losing fortunes, and the magnificence of the Ambersons began then. Magnificence, like the size of a fortune, is always comparative, as even Magnificent Lorenzo may now perceive, if he has happened to haunt New York in 1916; and the Ambersons were magnificent in their day and place. Their splendour lasted throughout all the years that saw their Midland town spread and darken into a city, but reached its topmost during the period when every prosperous family with children kept a Newfoundland dog.
In that town, in those days, all the women who wore silk or velvet knew all the other women who wore silk or velvet, and when there was a new purchase of sealskin, sick people were got to windows to see it go by. Trotters were out, in the winter afternoons, racing light sleighs on National Avenue and Tennessee Street; everybody