The Magnificent Ambersons - Booth Tarkington [139]
Fanny met him in the upper corridor, and took him to an open door.
He stopped on the threshold, startled; for, from the waxen face on the pillow, almost it seemed the eyes of Isabel herself were looking at him: never before had the resemblance between mother and son been so strong—and Eugene knew that now he had once seen it thus startlingly, he need divest himself of no bitterness “to be kind” to Georgie.
George was startled, too. He lifted a white hand in a queer gesture, half forbidding, half imploring, and then let his arm fall back upon the coverlet. “You must have thought my mother wanted you to come,” he said, “so that I could ask you to—to forgive me.”
But Lucy, who sat beside him, lifted ineffable eyes from him to her father, and shook her head. “No, just to take his hand—gently!”
She was radiant.
But for Eugene another radiance filled the room. He knew that he had been true at last to his true love, and that through him she had brought her boy under shelter again. Her eyes would look wistful no more.
A NOTE ON THE TYPE
The principal text of this Modern Library edition
was set in a digitized version of Janson,
a typeface that dates from about 1690 and was cut by Nicholas Kis,
a Hungarian working in Amsterdam. The original matrices have
survived and are held by the Stempel foundry in Germany.
Hermann Zapf redesigned some of the weights and sizes for Stempel,
basing his revisions on the original design.
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