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The Magus - John Fowles [220]

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so that it stood high off the shoulders of the person beneath, whose real face must have lain behind the shaggy black beard. Huge backswept horns, left their natural colours; amber glass eyes; the only ornament, a fat blood-red candle that had been fixed between the horns and lit. I wished I could speak, for I badly needed to shout something debunking, something adolescent and healthy and English; a "Doctor Crowley, I presume." But all I could do was to cross my knees and look what I was not--unimpressed. The goat figure, his satanic majesty, came forward with an archidiabolical dignity and I braced myself for the next development: a black mass seemed likely. Perhaps the table was to be the altar. I realised that he was lampooning the traditional Christ figure; the staff was the pastoral crook, the black beard Christ's brown one, the blood-red candle some sort of blasphemous parody of the halo. He came to his place, the long line of black-carnival puppets stared at me from the floor. I stared down the line: the stag-devil, the crocodile-devil, the vampire, the succubus, the birdwoman, the magician, the coffin-sedan, the goat-devil, the jackal-devil, the Pierrot-skeleton, the corn doll, the Aztec, the witch. I found myself swallowing, looking round again at my inscrutable guards. The gag was beginning to hurt. In the end I found it more comfortable to stare down at the foot of the dais. Perhaps a minute passed like that. Another of the brands stopped flaming. The goat figure raised his staff, held it up a moment, then made to lay it on the table in front of him; but he must have got it caught in something because there was a comforting little hitch in the stage business. As soon as he had managed it, he raised both hands sacerdotally, but fingers devil-horned, and pointed at the corners behind me. My two guards went to the projectors. Suddenly the room was flooded with light; and, after a moment of total stillness, flooded with movement. Like actors suddenly offstage, the row of figures in front of me began removing their masks and cloaks. The cross-headed men by the brands turned and took the torches and filed out towards the door. But they had to wait there, because a group of twenty or so young people appeared. They came in loosely, in ordinary clothes, without any attempt at order. Some of them had files and books. They were silent, and quickly took their places on the tiered side benches to my right. The men with the torches disappeared. I looked at the newcomers--German or Scandinavian, intelligent faces, students' faces, one or two older people among them, and three girls, but with an average age in the early twenties. Several of the men I recognised from the incident of the ridge. All this time the row of figures behind the table were disrobing. Adam and my two guards moved about helping them. Adam laid cardboard folders with white labels in each place. The stuffed cat was removed, and the staffs, all the paraphernalia. It was done swiftly, well rehearsed. I kept flashing looks down the line, as one person after another was revealed. The last arrival, the goathead, was an old man with a clipped white beard, dark grey-blue eyes; a resemblance to Smuts. Like all the others he studiously avoided looking at me, but I saw him smile at Conchis, the astrologer-magician beside him. Next to Conchis appeared, from behind the birdliead and pregnant belly, a slim middleaged woman. She was wearing a dark grey suit; a headmistress or a business woman. The jackal head, Joe, was dressed in a dark blue suit. Anton came, surprisingly, from behind the Pierrot-skeleton costume. The succubus from Bosch revealed another elderly man with a mild face and pince-nez. The corn doll was Maria. The Atzec head was the German colonel, the pseudo Wimmel of the ridge incident. The vampire was not Lily, but her sister; a scarless wrist. A white blouse, and the black skirt. The crocodile was a man in his late twenties. He had a thin artistic looking beard; a Greek or an Italian. He too was wearing a suit. The stag head was another man I did not know;
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