• Choose a category
• All
• Classic-Fiction

“When the amounts became too great to deal with out of my allowance, Rupert presented me with the plan regarding the paintings. It had been suggested by Beacham of course. He knew of a skilled painter who could copy the pictures so that only an expert could tell the difference and he also had contacts who could provide eager customers for the original canvases. Beacham, of course, demanded a large fee for his ‘services’. To my eternal shame, I agreed, believing it would be only the one painting. One night when my husband was asleep, I took the gallery key from his chain and made a wax impression of it so that a copy could be made.

“The substitution of the first painting could not have been smoother. The exchange was carried out while my husband was away for two days on government business. Rupert took the picture early in the evening and returned the following morning with the forgery. My husband never suspected a thing. The apparent ease with which the plan had been carried out made Beacham bolder and greedier. He led my son into greater debt so that the substitution of another painting was needed. And so it became a regular process, every two months or so.”

“Until the de Granville fiasco when your husband’s trip to France was postponed and he returned earlier than expected.”

“It was Beacham’s idea to take the de Granville. He said it would bring the greatest fee yet, but the copier required more time since it was an unknown painting. As you know, my husband discovered the masterpiece missing …” Lady Darlington’s eyes watered afresh and she dabbed them with her handkerchief.

“Both your son and Beacham knew it would be foolish to place the forgery where the original had hung now that its absence had been discovered. They were aware that your husband would, as a matter of course, call in an expert to verify that it was the original.”

Lady Darlington nodded mutely.

“You have been a foolish woman, Lady Darlington. Although you may have acted with the best of intentions towards your son, you have allowed a situation to develop that cannot fail but to bring pain and disgrace to those two men whom you hold dear.”

“I beg you not to tell my husband.”

“Your husband is my client. He must be told. Besides, we are not dealing with a family squabble here. This matter concerns the theft of a series of master paintings. Two of the culprits are the son and wife of the owner, who is a minister of the crown. A scandal now is inevitable.”

“I appreciate that the truth has now to come out. But I want to be the one to tell Hector. It is the least I can do to atone for my sins. Give me a day – twenty-four hours – to do this and also to try and persuade my son to give himself up to the authorities.”

Holmes hesitated. He was somewhat moved by the woman’s plight.

“Please be merciful,” she begged.

My companion consulted his watch. “It is now approaching four o’clock. I will send a telegram to reach Lord Darlington in the morning, indicating that I shall call on him at four in the afternoon to convey information of the greatest moment.”

“Bless you, Mr Holmes.”

As events turned out, Holmes was never to make that visit. The following morning I was late down to breakfast and I found my friend slumped in his armchair perusing the paper. His face bore a grim expression.

“Violent delights have violent ends,” he said, more to himself than me.

“Bad news?”

He shrugged. “Fate has entered the lists and we have effectively been relegated, old fellow.” He waved the paper in my direction. “I refer to a report in here. Two bodies were washed up on the shingle below Tower Bridge late last night. They were bound and gagged and their brains had been blown out. They have been identified as Lord Arthur Beacham and Rupert Darlington, the son of the Minister for Foreign Affairs, Lord Hector Darlington.”

“Great heavens what a tragedy. What happened?”

“It was no doubt the work of Alfredo Fellini and his cronies. Obviously Beacham, in his frustration