The Mammoth Hunters - Jean M. Auel [164]
But Ranec was slow to make an appearance. Several times Ayla noticed his absence and looked for him, but when she did see him, it caught her by surprise. Everyone had enjoyed showing Ayla their dress-up clothing just to see her reaction; she was so delighted and impressed and made no pretense about it. Ranec had been observing her and wanted to create an especially memorable effect, so he returned to the Fox Hearth to change. He had been watching from the Lion Hearth, and slipped up beside her while she was involved in conversation. When she turned her head, suddenly he was there, and by her amazed look, he knew he had achieved his desired effect.
The cut and style of his tunic were unusual; its tapered body and wide flaring sleeves gave it a distinctly different look and betrayed its foreign origin. It was not a Mamutoi tunic. It was one he had traded for—and paid dearly—but he knew he had to have it from the first moment he saw it. One of the northern Camps had made a trading expedition a few years before to a western people that were distantly related to the Mamutoi, and the leader had been given the shirt as a token of mutual ties and future friendly relations. He was not inclined to give it up, but Ranec had been so persistent, and finally offered him so much for it, he couldn’t refuse.
Most of the garments worn by the people of the Lion Camp had been dyed shades of browns, deep reds, and dark yellows, and heavily decorated with light-colored ivory beads, teeth, seashells, and amber, enhanced with fur and feathers. Ranec’s tunic was a creamy ivory, nearly as light, but richer than true white, and he knew it made a stunning contrast to his dark skin, but even more stunning was the decoration. Both front and back of the shirt had been used as a background for a picture created with porcupine quills and fine cords which had been dyed strong, bright, primary colors.
On the front of the shirt was an abstract portrayal of a seated woman, made out of an arrangement of concentric circles in shades of true reds, oranges, blues, blacks, and browns; one set of circles represented her belly, two more were her breasts. Arcs of circles within circles indicated hips, shoulders, and arms. The head was a design based on a triangle, with a pointed chin and a flat top, with enigmatic lines instead of features on the face. In the middle of the breast and stomach circles, obviously meant to represent navel and nipples, were bright red garnets, and a line of colored stones—green and pink tourmalines, red garnets, aquamarines—had been fastened along the flat top of the head. The back of the shirt showed the same woman from the back view, with concentric circles or portions of them representing buttocks and shoulders. The same series of colors was repeated several times around the flared ends of the sleeves.
Ayla just stared, unable to speak. Even Jondalar was amazed. He had traveled far, had met many different people with many different ways of dressing, both for everyday and for ceremonial purposes. He had seen quill embroidery, and understood and admired the process of dyeing it and sewing it on, but he had never seen quite so impressive or