The Mammoth Hunters - Jean M. Auel [307]
“Yes. It is hard to lose a child,” Ayla said. Her voice was so grim it made Fralie look, and wonder. Ayla put her cup down and got up. “I saw some wormwood growing nearby. The root makes a very strong medicine. I don’t often use it, but I want to make something to calm and relax the mother, and it needs to be strong.”
The Lion Camp observed or peripherally participated in various activities and ceremonies during the day, but toward evening the atmosphere changed, became charged with an intensity that caught up even the visitors. The heightened emotions evoked genuine cries of sorrow and grief from the Mamutoi when the two children were solemnly carried out of a lodge on hammocklike biers, and brought around to each person for a final farewell.
As the people who were carrying the stretchers slowly walked by the mourning visitors, Ayla noticed that the children had been clothed in beautifully made and elegantly decorated finery, as though dressed for an important festival. She could not help but be impressed and intrigued. Pieces of variously dyed and naturally colored leathers and furs had been carefully stitched together into intricate” geometric patterns in making the tunics and long trousers, outlined and highlighted by solid areas that were filled in with thousands of small ivory beads. A stray thought passed through her mind. Had all the work been done using only a sharp aw!? Maybe someone would appreciate the small, sharp-pointed, ivory shaft with the hole in the end.
She also noticed headbands and belts, and across the shoulders of the girl, a cape with fascinating designs that were worked into a material which appeared to have been constructed out of strands of the underwool shed by the passing woolly beasts. She wanted to touch it, examine it closely, and learn how it had been made, but it would not have been appropriate. Ranec, standing beside her, noticed it, too, and commented on the intricate pattern of right-angled spirals. Ayla hoped that before they left, she could find out more about how it was made, perhaps in exchange for one of her ivory points with a hole.
Both children were also adorned with jewelry made of shells, animal canines, bone; the boy even had a large, unusual stone which had been pierced to wear as a pendant. Unlike the adults whose hair was in disarray and covered with ashes, their hair was neatly combed and arranged in elaborate styles—the boy in braids, the girl with large buns on both sides of her head.
Ayla could not dispel the feeling that the children were only sleeping and would wake up any moment. They looked too young, too healthy, with their round-cheeked, unlined faces, to be gone, to have passed into the realm of the spirits. She felt a shudder pass through her, and involuntarily glanced toward Rydag. She caught Nezzie’s eye and looked away.
Finally the bodies of the children were brought to the long, narrow trench. They were lowered into it and placed head to head. A woman with a peculiar headdress and a long beaded tunic stood up and began a keening, high-pitched chant that sent shivers through everyone. She wore many necklaces and pendants around her neck that jangled and clicked when she moved, and several loose ivory bracelets around her arms, consisting of several separate half-inch-wide bands. Ayla realized they were similar to the ones some of the Mamutoi used.
A deep reverberating drumbeat sounded with the familiar tone of a mammoth skull drum. Keening and chanting, the woman began to weave and sway, rising up on her toes and lifting her feet, sometimes facing different directions, but staying in one place. As she danced, she waved her arms about sharply and rhythmically, causing her bracelets to rattle. Ayla had met her, and though they had not been able to converse, she felt drawn to her. Mamut had explained that she was not a medicine woman as Ayla was, but one who could communicate with the spirit world. She was the Sungaea counterpart of Mamut—or Creb, Ayla realized with a jolt. It was still