The Man Who Knew Too Much [57]
"James Haddow, the antiquarian lawyer, left the night before the fatality, but he left that black star of death on the ice. He left abruptly, having previously proposed to stay; probably, I think, after an ugly scene with Bulmer, at their legal interview. As you know yourself, Bulmer could make a man feel pretty murderous, and I rather fancy the lawyer had himself irregularities to confess, and was in danger of exposure by his client. But it's my reading of human nature that a man will cheat in his trade, but not in his hobby. Haddow may have been a dishonest lawyer, but he couldn't help being an honest antiquary. When he got on the track of the truth about the Holy Well he had to follow it up; he was not to be bamboozled with newspaper anecdotes about Mr. Prior and a hole in the wall; he found out everything, even to the exact location of the well, and he was rewarded, if being a successful assassin can be regarded as a reward."
"And how did you get on the track of all this hidden history?" asked the young architect.
A cloud came across the brow of Horne Fisher. "I knew only too much about it already," he said, "and, after all, it's shameful for me to be speaking lightly of poor Bulmer, who has paid his penalty; but the rest of us haven't. I dare say every cigar I smoke and every liqueur I drink comes directly or indirectly from the harrying of the holy places and the persecution of the poor. After all, it needs very little poking about in the past to find that hole in the wall, that great breach in the defenses of English history. It lies just under the surface of a thin sheet of sham information and instruction, just as the black and blood-stained well lies just under that floor of shallow water and flat weeds. Oh, the ice is thin, but it bears; it is strong enough to support us when we dress up as monks and dance on it, in mockery of the dear, quaint old Middle Ages. They told me I must put on fancy dress; so I did put on fancy dress, according to my own taste and fancy. I put on the only costume I think fit for a man who has inherited the position of a gentleman, and yet has not entirely lost the feelings of one."
In answer to a look of inquiry, he rose with a sweeping and downward gesture.
"Sackcloth," he said; "and I would wear the ashes as well if they would stay on my bald head."
VII. THE TEMPLE OF SILENCE
Harold March and the few who cultivated the friendship of Horne Fisher, especially if they saw something of him in his own social setting, were conscious of a certain solitude in his very sociability. They seemed to be always meeting his relations and never meeting his family. Perhaps it would be truer to say that they saw much of his family and nothing of his home. His cousins and connections ramified like a labyrinth all over the governing class of Great Britain, and he seemed to be on good, or at least on good- humored, terms with most of them. For Horne Fisher was remarkable for a curious impersonal information and interest touching all sorts of topics, so that one could sometimes fancy that his culture, like his colorless, fair mustache and pale, drooping features, had the neutral nature of a chameleon. Anyhow, he could always get on with viceroys and Cabinet Ministers and all the great men responsible for great departments, and talk to each of them on his own subject, on the branch of study with which he was most seriously concerned. Thus he could converse with the Minister for War about silkworms, with the Minister of Education about detective stories, with the Minister of Labor about Limoges enamel, and with the Minister of Missions and Moral Progress (if that be his correct title) about the pantomime boys of the last four decades. And as the first was his first cousin, the second his second cousin, the third his brother-in-law, and the fourth his uncle by marriage, this conversational versatility certainly served in one sense to create a happy family. But March never seemed to get a glimpse of that domestic interior to which men of the middle classes are accustomed in their friendships,
"And how did you get on the track of all this hidden history?" asked the young architect.
A cloud came across the brow of Horne Fisher. "I knew only too much about it already," he said, "and, after all, it's shameful for me to be speaking lightly of poor Bulmer, who has paid his penalty; but the rest of us haven't. I dare say every cigar I smoke and every liqueur I drink comes directly or indirectly from the harrying of the holy places and the persecution of the poor. After all, it needs very little poking about in the past to find that hole in the wall, that great breach in the defenses of English history. It lies just under the surface of a thin sheet of sham information and instruction, just as the black and blood-stained well lies just under that floor of shallow water and flat weeds. Oh, the ice is thin, but it bears; it is strong enough to support us when we dress up as monks and dance on it, in mockery of the dear, quaint old Middle Ages. They told me I must put on fancy dress; so I did put on fancy dress, according to my own taste and fancy. I put on the only costume I think fit for a man who has inherited the position of a gentleman, and yet has not entirely lost the feelings of one."
In answer to a look of inquiry, he rose with a sweeping and downward gesture.
"Sackcloth," he said; "and I would wear the ashes as well if they would stay on my bald head."
VII. THE TEMPLE OF SILENCE
Harold March and the few who cultivated the friendship of Horne Fisher, especially if they saw something of him in his own social setting, were conscious of a certain solitude in his very sociability. They seemed to be always meeting his relations and never meeting his family. Perhaps it would be truer to say that they saw much of his family and nothing of his home. His cousins and connections ramified like a labyrinth all over the governing class of Great Britain, and he seemed to be on good, or at least on good- humored, terms with most of them. For Horne Fisher was remarkable for a curious impersonal information and interest touching all sorts of topics, so that one could sometimes fancy that his culture, like his colorless, fair mustache and pale, drooping features, had the neutral nature of a chameleon. Anyhow, he could always get on with viceroys and Cabinet Ministers and all the great men responsible for great departments, and talk to each of them on his own subject, on the branch of study with which he was most seriously concerned. Thus he could converse with the Minister for War about silkworms, with the Minister of Education about detective stories, with the Minister of Labor about Limoges enamel, and with the Minister of Missions and Moral Progress (if that be his correct title) about the pantomime boys of the last four decades. And as the first was his first cousin, the second his second cousin, the third his brother-in-law, and the fourth his uncle by marriage, this conversational versatility certainly served in one sense to create a happy family. But March never seemed to get a glimpse of that domestic interior to which men of the middle classes are accustomed in their friendships,