The Man Who Was Afraid [59]
it seems."
"There's but one word--battle!" repeated the old man.
"Is this the real one?" asked Foma, looking at Mayakin searchingly.
"That is, what do you mean--the real?"
"Is there nothing better than this? Does this contain everything?"
"Where else should it be? Everybody lives for himself. Each of us wishes the best for himself. And what is the best? To go in front of others, to stand above them. So that everybody is trying to attain the first place in life--one by this means, another by that means. But everyone is positively anxious to be seen from afar, like a tower. And man was indeed appointed to go upward. Even the Book of Job says: 'Man is born unto trouble, as the sparks, to fly upward.' Just see: even children at play always wish to surpass one another. And each and every game has its climax, which makes it interesting. Do you understand?"
"I understand this!" said Foma, firmly and confidently.
"But you must also feel this. With understanding alone you cannot go far, and you must desire, and desire so that a big mountain should seem to you but a hillock, and the sea but a puddle. Eh! When I was of your age I had an easy life, while you are only taking aim. But then, good fruit does not ripen early."
The old man's monotonous speeches soon accomplished what they were intended to do. Foma listened to them and made clear to himself the aim of life. He must be better than others, he resolved, and the ambition, kindled by the old man, took deep root in his heart. It took root within his heart, but did not fill it up, for Foma's relations toward Medinskaya assumed that character, which they were bound to assume. He longed for her, he always yearned to see her; while in her presence he became timid, awkward and stupid; he knew it and suffered on this account. He frequently visited her, but it was hard to find her at home alone; perfumed dandies like flies over a piece of sugar--were always flitting about her. They spoke to her in French, sang and laughed, while he looked at them in silence, tortured by anger and jealousy. His legs crossed, he sat somewhere in a corner of her richly furnished drawing-room, where it was extremely difficult to walk without overturning or at least striking against something--Foma sat and watched them sternly.
Over the soft rugs she was noiselessly passing hither and thither, casting to him kind glances and smiles, while her admirers were fawning upon her, and they all, like serpents, were cleverly gliding by the various little tables, chairs, screens, flower-stands--a storehouse full of beautiful and frail things, scattered about the room with a carelessness equally dangerous to them and to Foma. But when he walked there, the rugs did not drown his footsteps, and all these things caught at his coat, trembled and fell. Beside the piano stood a sailor made of bronze, whose hand was lifted, ready to throw the life-saving ring; on this ring were ropes of wire, and these always pulled Foma by the hair. All this provoked laughter among Sophya Pavlovna and her admirers, and Foma suffered greatly, changing from heat to cold.
But he felt no less uncomfortable even when alone with her. Greeting him with a kindly smile, she would take a seat beside him in one of the cosy corners of her drawing-room and would usually start her conversation by complaining to him of everybody:
"You wouldn't believe how glad I am to see you!" Bending like a cat, she would gaze into his eyes with her dark glance, in which something avidious would now flash up.
"I love to speak to you," she said, musically drawling her words. "I've grown tired of all the rest of them. They're all so boring, ordinary and worn-out, while you are fresh, sincere. You don't like those people either, do you?"
"I can't bear them!" replied Foma, firmly.
"And me?" she asked softly.
Foma turned his eyes away from her and said, with a sigh:
"How many times have you asked me that?"
"Is it hard for you to tell me?"
"It isn't hard, but what for?"
"I must know it."
"You are making sport of me,"
"There's but one word--battle!" repeated the old man.
"Is this the real one?" asked Foma, looking at Mayakin searchingly.
"That is, what do you mean--the real?"
"Is there nothing better than this? Does this contain everything?"
"Where else should it be? Everybody lives for himself. Each of us wishes the best for himself. And what is the best? To go in front of others, to stand above them. So that everybody is trying to attain the first place in life--one by this means, another by that means. But everyone is positively anxious to be seen from afar, like a tower. And man was indeed appointed to go upward. Even the Book of Job says: 'Man is born unto trouble, as the sparks, to fly upward.' Just see: even children at play always wish to surpass one another. And each and every game has its climax, which makes it interesting. Do you understand?"
"I understand this!" said Foma, firmly and confidently.
"But you must also feel this. With understanding alone you cannot go far, and you must desire, and desire so that a big mountain should seem to you but a hillock, and the sea but a puddle. Eh! When I was of your age I had an easy life, while you are only taking aim. But then, good fruit does not ripen early."
The old man's monotonous speeches soon accomplished what they were intended to do. Foma listened to them and made clear to himself the aim of life. He must be better than others, he resolved, and the ambition, kindled by the old man, took deep root in his heart. It took root within his heart, but did not fill it up, for Foma's relations toward Medinskaya assumed that character, which they were bound to assume. He longed for her, he always yearned to see her; while in her presence he became timid, awkward and stupid; he knew it and suffered on this account. He frequently visited her, but it was hard to find her at home alone; perfumed dandies like flies over a piece of sugar--were always flitting about her. They spoke to her in French, sang and laughed, while he looked at them in silence, tortured by anger and jealousy. His legs crossed, he sat somewhere in a corner of her richly furnished drawing-room, where it was extremely difficult to walk without overturning or at least striking against something--Foma sat and watched them sternly.
Over the soft rugs she was noiselessly passing hither and thither, casting to him kind glances and smiles, while her admirers were fawning upon her, and they all, like serpents, were cleverly gliding by the various little tables, chairs, screens, flower-stands--a storehouse full of beautiful and frail things, scattered about the room with a carelessness equally dangerous to them and to Foma. But when he walked there, the rugs did not drown his footsteps, and all these things caught at his coat, trembled and fell. Beside the piano stood a sailor made of bronze, whose hand was lifted, ready to throw the life-saving ring; on this ring were ropes of wire, and these always pulled Foma by the hair. All this provoked laughter among Sophya Pavlovna and her admirers, and Foma suffered greatly, changing from heat to cold.
But he felt no less uncomfortable even when alone with her. Greeting him with a kindly smile, she would take a seat beside him in one of the cosy corners of her drawing-room and would usually start her conversation by complaining to him of everybody:
"You wouldn't believe how glad I am to see you!" Bending like a cat, she would gaze into his eyes with her dark glance, in which something avidious would now flash up.
"I love to speak to you," she said, musically drawling her words. "I've grown tired of all the rest of them. They're all so boring, ordinary and worn-out, while you are fresh, sincere. You don't like those people either, do you?"
"I can't bear them!" replied Foma, firmly.
"And me?" she asked softly.
Foma turned his eyes away from her and said, with a sigh:
"How many times have you asked me that?"
"Is it hard for you to tell me?"
"It isn't hard, but what for?"
"I must know it."
"You are making sport of me,"