The Memoirs of Madame de Montespan [159]
value, and ordered a strong and solid casket in which to enshrine my treasure.
The imperial crown having been encased and its clasps well adjusted by as many little locks of steel, I shut the illustrious valuable in a cupboard in which I had a quantity of jewelry and precious stones. This beautiful crown was the constant object of my thoughts, my affections and my preference; but I only looked at it myself at long intervals, every six months, very briefly, for fear of exciting the cupidity of servants, and exposing the glory of Agrippina to some danger.
When the Princess of Mantua passed through France on her way to marry the Duke of York, whose first wife had left him a widower, the King gave a brilliant reception to this young and lovely creature, daughter of a niece of Cardinal Mazarin.
The conversation was uniformly most agreeable, for she spoke French with fluency, and employed it with wit. There was talk of open-work crowns and shut crowns. The Marquis de Dangeau, something of a savant and antiquary, happened to remark that, under Nero, that magnificent prince, the imperial crown had first been wrought in the form of an arch, such as is seen now.
The King said then: "I was ignorant of that fact; but the crown of the Empress, his mother, was not closed at all. The one which belongs to me is authentic; Madame la Marquise will show it to us:
A gracious invitation in dumb show completed this species of summons, and I was obliged to execute it. I returned to the King in the space of a few minutes, bringing back in its new case the fugitive present, which a monarch asked back again so politely and with such a good grace.
The crown of Agrippina, being placed publicly on a small round table, excited general attention and admiration. The Italian Princess, Madame de Maintenon, the Duc de Saint Aignan, and Dangeau himself went into raptures over the rare perfection of these marvellously assorted brilliants. The King, drawing near, in his turn examined the masterpiece with pleasure. Suddenly, looking me in the face, he cried:
"But, madame, this is no longer my crown of Agrippina; all the diamonds have been changed!"
Imagine my trouble, and, I must say, my confusion! Approaching the wretched object, and casting my eyes over it with particular attention, I was not slow in verifying the King's assertion. The setting of this fine work had remained virtually the same; but some bold hand had removed the antique diamonds and substituted--false!
I was pale and trembling, and on the verge of swooning. The ladies were sorry for me. The King did me the honour of declaring aloud that I had assuredly been duped, and I was constrained to explain this removal of the crown into a more solid and better case for its preservation.
At this naive explanation the King fell to laughing, and said to the young Princess: "Madame, you will relate, if you please, this episode to the Court of London, and you will tell the King, from me, that nothing is so difficult to preserve now as our crowns; guards and locks are no more of use."
Then, addressing me, his Majesty said, playfully:
"You should have entrusted it to me sooner; I should have saved it. It is said that I understand that well."
My amour-propre, my actual honour, forbade me to put a veil over this domestic indignity. I assembled all my household, without excepting my intendant himself. I was aggrieved at the affront which I had met with at the King's, and I read grief and consternation on all faces. After some minutes' silence, my intendant proposed the immediate intervention of authority, and made me understand with ease that only the casket-maker could be the culprit.
This man's house was visited; he had left Paris nearly two years before. Further information told us that, before disposing of his property, he had imprudently indulged in a certain ostentation of fortune, and had embarked for the new settlements of Pondicherry.
M. Colbert, who is still living, charged our governor to discover the culprit for him; and he was sent back to
The imperial crown having been encased and its clasps well adjusted by as many little locks of steel, I shut the illustrious valuable in a cupboard in which I had a quantity of jewelry and precious stones. This beautiful crown was the constant object of my thoughts, my affections and my preference; but I only looked at it myself at long intervals, every six months, very briefly, for fear of exciting the cupidity of servants, and exposing the glory of Agrippina to some danger.
When the Princess of Mantua passed through France on her way to marry the Duke of York, whose first wife had left him a widower, the King gave a brilliant reception to this young and lovely creature, daughter of a niece of Cardinal Mazarin.
The conversation was uniformly most agreeable, for she spoke French with fluency, and employed it with wit. There was talk of open-work crowns and shut crowns. The Marquis de Dangeau, something of a savant and antiquary, happened to remark that, under Nero, that magnificent prince, the imperial crown had first been wrought in the form of an arch, such as is seen now.
The King said then: "I was ignorant of that fact; but the crown of the Empress, his mother, was not closed at all. The one which belongs to me is authentic; Madame la Marquise will show it to us:
A gracious invitation in dumb show completed this species of summons, and I was obliged to execute it. I returned to the King in the space of a few minutes, bringing back in its new case the fugitive present, which a monarch asked back again so politely and with such a good grace.
The crown of Agrippina, being placed publicly on a small round table, excited general attention and admiration. The Italian Princess, Madame de Maintenon, the Duc de Saint Aignan, and Dangeau himself went into raptures over the rare perfection of these marvellously assorted brilliants. The King, drawing near, in his turn examined the masterpiece with pleasure. Suddenly, looking me in the face, he cried:
"But, madame, this is no longer my crown of Agrippina; all the diamonds have been changed!"
Imagine my trouble, and, I must say, my confusion! Approaching the wretched object, and casting my eyes over it with particular attention, I was not slow in verifying the King's assertion. The setting of this fine work had remained virtually the same; but some bold hand had removed the antique diamonds and substituted--false!
I was pale and trembling, and on the verge of swooning. The ladies were sorry for me. The King did me the honour of declaring aloud that I had assuredly been duped, and I was constrained to explain this removal of the crown into a more solid and better case for its preservation.
At this naive explanation the King fell to laughing, and said to the young Princess: "Madame, you will relate, if you please, this episode to the Court of London, and you will tell the King, from me, that nothing is so difficult to preserve now as our crowns; guards and locks are no more of use."
Then, addressing me, his Majesty said, playfully:
"You should have entrusted it to me sooner; I should have saved it. It is said that I understand that well."
My amour-propre, my actual honour, forbade me to put a veil over this domestic indignity. I assembled all my household, without excepting my intendant himself. I was aggrieved at the affront which I had met with at the King's, and I read grief and consternation on all faces. After some minutes' silence, my intendant proposed the immediate intervention of authority, and made me understand with ease that only the casket-maker could be the culprit.
This man's house was visited; he had left Paris nearly two years before. Further information told us that, before disposing of his property, he had imprudently indulged in a certain ostentation of fortune, and had embarked for the new settlements of Pondicherry.
M. Colbert, who is still living, charged our governor to discover the culprit for him; and he was sent back to