The Memoirs of Marie Antoinette [87]
the Princesse de Guemenee's house, at the entrance to Paris, for Elisabeth. The Comtesse de Provence bought a small house at Montreuil; Monsieur already had Brunoy; the Comtesse d'Artois built Bagatelle; Versailles became, in the estimation of all the royal family, the least agreeable of residences. They only fancied themselves at home in the plainest houses, surrounded by English gardens, where they better enjoyed the beauties of nature. The taste for cascades and statues was entirely past.
The Queen occasionally remained a whole month at Petit Trianon, and had established there all the ways of life in a chateau. She entered the sitting-room without driving the ladies from their pianoforte or embroidery. The gentlemen continued their billiards or backgammon without suffering her presence to interrupt them. There was but little room in the small Chateau of Trianon. Madame Elisabeth accompanied the Queen there, but the ladies of honour and ladies of the palace had no establishment at Trianon. When invited by the Queen, they came from Versailles to dinner. The King and Princes came regularly to sup. A white gown, a gauze kerchief, and a straw hat were the uniform dress of the Princesses.
[The extreme simplicity of the Queen's toilet began to be strongly censured, at first among the courtiers, and afterwards throughout the kingdom; and through one of those inconsistencies more common in France than elsewhere, while the Queen was blamed, she was blindly imitated. There was not a woman but would have the same undress, the same cap, and the same feathers as she had been seen to wear. They crowded to Mademoiselle Bertin, her milliner; there was an absolute revolution in the dress of our ladies, which gave importance to that woman. Long trains, and all those fashions which confer a certain nobility on dress, were discarded; and at last a duchess could not be distinguished from an actress. The men caught the mania; the upper classes had long before given up to their lackeys feathers, tufts of ribbon, and laced hats. They now got rid of red heels and embroidery; and walked about our streets in plain cloth, short thick shoes, and with knotty cudgels in their hands. Many humiliating scrapes were the consequence of this metamorphosis. Bearing no mark to distinguish them from the common herd, some of the lowest classes got into quarrels with them, in which the nobles had not always the best of it. --MONTJOIE, "History of Marie Antoinette."]
Examining all the manufactories of the hamlet, seeing the cows milked, and fishing in the lake delighted the Queen; and every year she showed increased aversion to the pompous excursions to Marly.
The idea of acting comedies, as was then done in almost all country houses, followed on the Queen's wish to live at Trianon without ceremony.
[The Queen got through the characters she assumed indifferently enough; she could hardly be ignorant of this, as her performances evidently excited little pleasure. Indeed, one day while she was thus exhibiting, somebody ventured to say, by no means inaudibly, "well, this is royally ill played!" The lesson was thrown away upon her, for never did she sacrifice to the opinion of another that which she thought permissible. When she was told that her extreme plainness in dress, the nature of her amusements, and her dislike to that splendour which ought always to attend a Queen, had an appearance of levity, which was misinterpreted by a portion of the public, she replied with Madame de Maintenon: "I am upon the stage, and of course I shall be either hissed or applauded." Louis XIV. had a similar taste; he danced upon the stage; but he had shown by brilliant actions that he knew how to enforce respect; and besides, he unhesitatingly gave up the amusement from the moment he heard those beautiful lines in which Racine pointed out how very unworthy of him such
The Queen occasionally remained a whole month at Petit Trianon, and had established there all the ways of life in a chateau. She entered the sitting-room without driving the ladies from their pianoforte or embroidery. The gentlemen continued their billiards or backgammon without suffering her presence to interrupt them. There was but little room in the small Chateau of Trianon. Madame Elisabeth accompanied the Queen there, but the ladies of honour and ladies of the palace had no establishment at Trianon. When invited by the Queen, they came from Versailles to dinner. The King and Princes came regularly to sup. A white gown, a gauze kerchief, and a straw hat were the uniform dress of the Princesses.
[The extreme simplicity of the Queen's toilet began to be strongly censured, at first among the courtiers, and afterwards throughout the kingdom; and through one of those inconsistencies more common in France than elsewhere, while the Queen was blamed, she was blindly imitated. There was not a woman but would have the same undress, the same cap, and the same feathers as she had been seen to wear. They crowded to Mademoiselle Bertin, her milliner; there was an absolute revolution in the dress of our ladies, which gave importance to that woman. Long trains, and all those fashions which confer a certain nobility on dress, were discarded; and at last a duchess could not be distinguished from an actress. The men caught the mania; the upper classes had long before given up to their lackeys feathers, tufts of ribbon, and laced hats. They now got rid of red heels and embroidery; and walked about our streets in plain cloth, short thick shoes, and with knotty cudgels in their hands. Many humiliating scrapes were the consequence of this metamorphosis. Bearing no mark to distinguish them from the common herd, some of the lowest classes got into quarrels with them, in which the nobles had not always the best of it. --MONTJOIE, "History of Marie Antoinette."]
Examining all the manufactories of the hamlet, seeing the cows milked, and fishing in the lake delighted the Queen; and every year she showed increased aversion to the pompous excursions to Marly.
The idea of acting comedies, as was then done in almost all country houses, followed on the Queen's wish to live at Trianon without ceremony.
[The Queen got through the characters she assumed indifferently enough; she could hardly be ignorant of this, as her performances evidently excited little pleasure. Indeed, one day while she was thus exhibiting, somebody ventured to say, by no means inaudibly, "well, this is royally ill played!" The lesson was thrown away upon her, for never did she sacrifice to the opinion of another that which she thought permissible. When she was told that her extreme plainness in dress, the nature of her amusements, and her dislike to that splendour which ought always to attend a Queen, had an appearance of levity, which was misinterpreted by a portion of the public, she replied with Madame de Maintenon: "I am upon the stage, and of course I shall be either hissed or applauded." Louis XIV. had a similar taste; he danced upon the stage; but he had shown by brilliant actions that he knew how to enforce respect; and besides, he unhesitatingly gave up the amusement from the moment he heard those beautiful lines in which Racine pointed out how very unworthy of him such