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The Metropolis Case_ A Novel - Matthew Gallaway [0]

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This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Copyright © 2010 by Matthew Gallaway

All rights reserved.

Published in the United States by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York.

www.crownpublishing.com

CROWN is a trademark and the Crown colophon is a registered trademark of Random House, Inc.

Translation of the Liebestod from Tristan and Isolde used with kind permission of Christopher Bergen.

Library of Congress Cataloging-in-Publication Data

Gallaway, Matthew.

The Metropolis case : a novel / Matthew Gallaway. — 1st ed.

p. cm.

1. Opera—Fiction. 2. Immortality—Fiction. 3. Wagner, Richard, 1813–1883. Tristan und Isolde—Fiction. I. Title.

PS3607 A415515M48 2010

813′.6—dc22 2010013576

eISBN: 978-0-307-46344-9

v3.1

FOR STEPHEN

Contents

Cover

Title Page

Copyright

Dedication


First Act: Contingency

Chapter 1: The Tristan Chord

Chapter 2: Through Its Street Names, the City Is a Mystic Cosmos

Chapter 3: Der Mann ohne Eigenschaften

Chapter 4: Il n’existe pas deux genres de poésies; il n’en est qu’une

Chapter 5: The Marble Index

Chapter 6: The Apology of Socrates

Chapter 7: Taking Drugs to Make Music to Take Drugs To

Chapter 8: The Diary of One Who Disappeared

Chapter 9: Expériences nouvelles touchant le vide

Chapter 10: Rembrandt Pussyhorse

Chapter 11: Meine Musikdramatische Idee

Chapter 12: Kritik der reinen Vernunft

Chapter 13: Spiderland

Chapter 14: The Experience of Our Generation: That Capitalism will Not Die a Natural Death

Chapter 15: A Kind of History of My Life

Chapter 16: Je n’ai pas oublié, voisine de la ville


Second Act: Irony

Chapter 17: Dial M for Motherfucker

Chapter 18: The Psychology of the Transference

Chapter 19: Concluding Unscientific Postscript to the Philosophical

Chapter 20: A Section That May Be Skipped by Anyone Not Particularly Impressed by Thinking as an Occupation

Chapter 21: The Past Unfolds in the Wax Museum like Distance in the Domestic Interior

Chapter 22: Original Stories from Real Life

Chapter 23: Loveless

Chapter 24: The Motion of Light in Water

Chapter 25: The World as Will and Representation

Chapter 26: What Fun Life Was

Chapter 27: The City as a Landscape and as a Room

Chapter 28: The Fighting Téméraire Tugged to Her Last Berth to Be Broken

Chapter 29: Blue Monday

Chapter 30: Ce Livre pourrait s’appeler Les enfants de Marx et de Coca-Cola

Chapter 31: The Intermittences of the Heart

Chapter 32: Do You Want Chillwave or Do You Want the Truth?

Chapter 33: This Screaming Girl Has Suddenly Realized That the Body Lying Under the Blanket Is That of Her Mother

Chapter 34: Into the Millennium (The Criminals)


Third Act: Solidarity

Chapter 35: We have to Wake Up from the Existence of Our Parents: In This Awakening, We Must Give an Account of the Nearness of That Existence

Chapter 36: The Heart Is a Lonely Hunter

Chapter 37: The World Is the Totality of Facts, Not of Things

Chapter 38: The True Artist Helps the World by Revealing Mystic Truths

Chapter 39: On Fire

Chapter 40: Fashion Is a Canon for This Dialectic Also

Chapter 41: Cocksucker Blues

Chapter 42: Mrs. Stevens Hears the Mermaids Singing

Chapter 43: In Distortion-Free Mirrors

Chapter 44: La vraie douleur est incompatible avec l’espoir

Chapter 45: There Is a Light That Never Goes Out

Acknowledgments

About the Author

1

The Tristan Chord

NEW YORK CITY, 2003 (via e-mail)

S—news!—your elder brother has procured four tickets to the opera on the Saturday night of your visit next month AND invitations to the after-party at Demoiselles, an old and rather exquisite French restaurant not far from Lincoln Center. There will be champagne; there WILL be chocolate soufflés. (Obviously M had a big hand in making this happen: you’ll be able to thank HER in person.) We’re seeing Tristan and Isolde by Richard Wagner,

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