The Midnight Palace - Carlos Ruiz Zafon [19]
The hands on Thomas Carter’s watch pointed towards midnight. Carter downed his brandy, then turned to glance through the window at the courtyard below. Ben was talking to a girl Carter didn’t recognise.
‘As I said earlier, I’m listening,’ Carter repeated.
Aryami sat up and, clasping her hands together in her lap, she began to tell her story …
‘FOR SIXTEEN YEARS I’VE travelled this country in search of refuge and somewhere to hide. Two weeks ago I was spending a month in the house of some relatives in Delhi, convalescing after an illness, when a letter arrived for me. Nobody could have known that my granddaughter and I were there. When I opened it, I found a blank sheet of paper inside, without a single letter written on it. I thought it might be a mistake or perhaps a joke, until I examined the envelope. It bore the postmark of Calcutta’s main post office. The ink was blurred and some of it was hard to make out, but I was able to decipher the date: 25 May 1916.
‘I put away the letter that had apparently taken sixteen years to cross India and reach the door of that house, a place to which only I had access, and I didn’t look at it again until that evening. My eyesight hadn’t played a trick on me: the date was the same, but something else had changed. The sheet of paper, which only a few hours earlier had been completely blank, now contained a single line written in red ink so fresh I smudged the writing with just a brush of my fingers. “They are no longer children, old woman. I’ve come back for what is mine. Stay out of my way.” That is what I read in the letter before throwing it into the fire.
‘I knew then who had sent it and I also knew that the moment had come when I must unearth the memories I had suppressed all these years. I don’t know whether I ever spoke to you about my daughter Kylian, Mr Carter. I’m an old woman now, awaiting the end of my life, but there was a time when I was a mother too, the mother of the most marvellous creature that ever set foot in this city.
‘I remember those days as the happiest of my life. Kylian had married one of the most brilliant men in the country and had gone to live with him in the house he had built himself in the north of the city, a house the like of which had never been seen. My daughter’s husband, Lahawaj Chandra Chatterghee, was an engineer and a writer. He was one of the first to design the telegraph network for this country, Mr Carter, one of the first to design the electric power grid that will govern the future of our cities, one of the first to build a rail network in Calcutta … One of the first in everything he decided to do.
‘But their happiness was short-lived. Chandra Chatterghee died in the horrific fire that destroyed the old Jheeter’s Gate Station, on the other side of the Hooghly River. You must have seen that building at some time? It’s completely abandoned now, but once it was one of the most glorious buildings in Calcutta – a landmark in steel construction, a labyrinth of tunnels, multiple storeys, systems for piping fresh air and for the hydraulics connecting to the rails. Engineers from the world over came to visit and admire the structure, all of it created by the engineer Chandra Chatterghee.
‘Nobody knows how it happened, but the night of its official inauguration a fire broke out in Jheeter’s Gate, and a train that was transporting over three hundred abandoned children to Bombay went up in flames and was buried in the dark tunnels dissecting the earth. Nobody came out alive. The train is still stranded somewhere deep in the shadows, in the underground network of passages on the western edge of Calcutta.
‘The night the engineer and the children died in that train was one of the worst tragedies ever to hit this city. For many, it was a sign that perpetual darkness was descending over Calcutta. There were rumours that the fire had been started by a group of British financiers who viewed the new railway line as a threat, for it would prove that transport