The Midnight Palace - Carlos Ruiz Zafon [63]
Aryami looked at the faces of the youngsters with deep sadness and gave them a faint smile. She cast her eyes down and sighed, examining the palms of her small nervous hands as she began to speak. This time her voice seemed to lack the authority and determination they had learned to expect from her. At the end of her journey fear had undermined her resilience; she was now just an old woman, frail and frightened, a girl who had lived too long.
‘BEFORE I BEGIN, LET me tell you that if I have lied, and I have been obliged to do so on numerous occasions, it has always been in order to protect someone. And if I lied to you, it was because I was certain that in doing so I would protect you, Ben, and your sister Sheere from something that might hurt you even more than the actions of a maddened criminal. Nobody can know how much I’ve suffered, having to carry this burden on my own from the day you were born. Listen carefully and rest assured that whatever I say will be the truth, as far as I know it, although there is nothing as terrible and difficult to believe as the stark reality of facts.
‘It feels like years have passed since I told you the story of my daughter Kylian. I told you about her, about her extraordinary radiance and how, among all her suitors, the one she chose to be her husband was a man of humble origins and great talent, a young engineer with a promising future. But I also told you that since childhood this man had borne a heavy load on his shoulders, a secret that would lead to his death and to the death of many others. Although this may seem contradictory, let me start this tale at the end, not the beginning, in response to the findings you have so cleverly disentangled.
‘Chandra Chatterghee was always a dreamer, a man possessed by a vision of a better and fairer future for his people, whom he could see dying in poverty in the streets. Meanwhile, behind the walls of their sumptuous homes, those whom he considered to be invaders, exploiters of our people’s natural legacy, were living a life of luxury at the expense of the millions of wretched souls inhabiting the great roofless orphanage that is India.
‘His dream was to provide the nation with an instrument for progress and the creation of wealth, as he believed this would eventually break the oppressive yoke of the Crown. It would be an instrument that would open up new routes between cities, new enclaves, ensuring a future for Indian families. He dreamed of an invention made of iron and fire: the railway. For Chandra, railway tracks were the arteries that would carry the new blood of progress throughout the land, and he conceived a heart from which all this energy would flow: his masterpiece, Jheeter’s Gate Station.
‘But the line separating dreams from nightmares is as fine as a needle, and very soon the shadows of the past returned. A high-ranking officer in the British army, Colonel Arthur Llewelyn, had enjoyed a meteoric career built on his exploits and the slaughter of innocent people – old and young, unarmed men and terrified women – in towns and villages throughout the whole Bengali Peninsula. Wherever the message of peace and a united India arrived, so too did his rifles and bayonets. A very gifted man with a promising future, as his superiors claimed with pride, but also a murderer hiding behind the Crown’s flag and the power of its army.
‘It didn’t take long for Llewelyn to notice Chandra’s talent and, without too many problems, he managed to draw a black ring around him, blocking his projects. A few weeks later not a single door in Calcutta, indeed in the entire province, was open to him. Except, of course, Llewelyn’s. He proposed a series of jobs for the army – bridges, railway lines … Every offer he made was