The Miernik Dossier - Charles McCarry [52]
The violinist, a small, shriveled man wearing round smoked glasses (not sunglasses—old-fashioned smoked lenses, almost black), scuttled across the floor to the Germans’ table. He smiled and asked in broken German if he could play a German song for them. The man who had danced with the child gave him a cursory glance and named a song. The violinist played it. The other German requested a different song. None of the Germans paid any attention to the musician as he played; they went on with their conversation, laughing across the table at one another.
The Germans began by asking for songs everyone knows: Röslein, Die Lorelei, and so on. Then they changed to a long list of obscure German drinking songs. They gave the violinist no rest between tunes. As soon as he completed one they asked for another and demanded that he play each faster than the one before. “I want to see your fingers dance, Maestro,” said one of the Germans with a guffaw. He and his friends began giving the instruction in unison: “Più rapido!”The violinist obeyed them. He tap-danced around the table, pointing the neck of his violin at the ceiling and floor, wiggling his hips, smiling in a crazed desire to please. It was Pavlovian. Zofia said, “That man must have been in one of their camps.” I believe she was right. The skin of his face was drawn back in a desperate grin, his body jerked. It was like watching a skeleton dance out of the gates of Dachau.
In the middle of a tune, the Germans rose. The violinist continued his jig, the grin fixed on his face. He was running with sweat. The Germans dropped money on the table to pay their bill. Then the one who had danced with the child gave his companions a humorous wink. He took a thousand-lira note out of his pocket, spat on it, and slapped it on the violinist’s sweaty forehead. It stuck there. The violinist gave a high giggle and kept on playing with his head thrown back so the bill would not fall off.
Miernik’s chair went over backwards. He was standing and speaking to the Germans. He held a table knife in his hand. The Germans stood their ground, either astonished by this display of bad manners or unfrightened by a one-armed man with a dull knife. One of the German women carried a Pekingese in her arm; throughout the meal and the violin concert she had been feeding it and talking to it.
“One moment,” Miernik said. “I want to kill your dog.” The woman shrieked, and a look of real horror came into her eyes. Her husband stepped between the dog and Miernik. “You are drunk,” he said.
“Quite sober,” Miernik said. “Hand over the dog. We have been watching you and we have our orders. The dog must die.”
The German turned on his heel and began to herd his friends toward the door. “Halt!” Miernik shouted. “Come back or I shoot.” The Germans stopped and turned around again—all except the woman with the dog. She now had both arms around the animal. She stared at Miernik over her hunched shoulder. “You are insane,” she cried.
“How long have you been hiding this dog?” Miernik asked in the loud German he was speaking. “Speak up—and remember there are witnesses present.”
“Who are you?” asked the German. “You are not a German.”
“My name does not matter. It is enough that