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The Millionaires - Brad Meltzer [31]

By Root 1738 0
in the account number and hit Send. Ten seconds. Ten seconds to change my life. It’s what my dad was always chasing, but never found. Finally… a way out.

Mary licks her fingertips for a touch of traction, leafs to the next sheet in the pile, and lowers her fingers to the keyboard. There it is: Duckworth and Sunshine Distributors.

“So what’d you do this weekend?” I ask, my voice racing.

“Oh, same as every weekend for the last month—tried to show up all my relatives by buying them better holiday presents than the ones they bought me.”

Onscreen, the name of our London bank clicks into place. C.M.W. Walsh Bank.

“That sounds great,” I say vacantly.

Digit by digit, the account number follows.

“That sounds great?” Mary laughs. “Oliver, you’ve really got to get out more.”

The cursor glides to the Send button and I start saying my goodbyes. I could still stop it, but…

The Send icon blinks to a negative and then back again. The words are so small, but I know them like the Big E on the eye chart:

Status: Pending.

Status: Approved.

Status: Paid.

“Listen, I should be getting back to my office…”

“Don’t worry about it,” Mary says without even turning around. “I can handle it from here.”

9

Staring at his computer screen and running his tongue across a cold sore inside his lip, he had to admit, he didn’t think Oliver would go through with it. Charlie, maybe. But not Oliver. Sure, he sometimes showed moments of greatness… the Tanner Drew incident being the most recent… but deep down, Oliver Caruso was still as scared as the day he started at Greene & Greene.

Still, the proof was always in the pudding—and right now, the pudding looked like it was about to be sent to London, England. Using the same technology he knew Shep had, he called up Martin Duckworth’s account and scanned the column marked Current Activity. The last entry—Balance of Account to C.M.W. Walsh Bank—was still marked Pending. It wasn’t going to be long now.

He pulled a pen from his jacket pocket and jotted down the bank’s name, followed by the account number. Sure, he could call the London bank… try to catch the money… but by the time he got through, it’d almost certainly be gone. Besides, why interfere now?

His phone started ringing and he picked up immediately. “Hello?” he answered, standardly confident.

“Well…?” a gruff voice asked.

“Well, what?”

“Don’t jerk me around,” the man warned. “Did they take it?”

“Any second now…” he said, his eyes still focused on the screen. At the very bottom of the account, there was a quick blink—and Pending… became Paid.

“There it goes,” he added with a grin. Shep… Charlie… Oliver… if they only knew what was coming.

“So that’s it?” the man asked.

“That’s it,” he replied. “The snowball’s officially rolling.”

10

There’s someone watching me. I didn’t notice him when I said goodbye to Lapidus and left the bank—it was after six and the December sky was already dark. And I didn’t see him trail me down the grimy subway stairs or follow me through the turnstile—there’re way too many commuters crisscrossing through the urban anthills to notice any one person. But as I reach the subway platform, I swear I hear someone whisper my name.

I spin around to check, but all that’s there is the typical Park Avenue post-work crowd: men, women, short, tall, young, old, a few black, mostly white. All of them in overcoats or heavy jackets. The majority stare down at reading material—a few lose themselves in their headphones—and one, just as I turn around, abruptly lifts a Wall Street Journal to cover his face.

I crane my neck, trying to get a look at his shoes or pants—anything for a context clue—but at the height of rush hour, the density of the crowd’s too thick. In no mood to take chances, I head further up the platform, away from the Journal man. At the last second, I once again look over my shoulder. A few more commuters fill out the crowd, but for the most part, no one moves—no one except the man, who once again—like a villain in a bad Cold War movie—lifts the Journal to cover his face.

Don’t get nuts, I tell

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