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The mimic men - V. S. Naipaul [38]

By Root 409 0
is a most tedious thing. You get in and swim twelve lengths and that is fine. But if you are not a swimmer seeking exercise, if you are nothing more than an extravagant bather, if you wish to be in a swimming-pool only to savour the luxury of being in a swimming-pool at night, with uniformed attendants who at a wave hurry to the pool’s edge with trays of food and drink in appetite-killing variety, if you wish to do only that, you are soon restless. It was there, in the tedium of the swimming-pool, that everything began, I am sure. There were calls from the pool for balls, for games. Was it from the American’s hefty hand that the ball was sent flying among tables, breaking plates and glasses and cracking a window? I am not sure. But within seconds the ball was sent from hand to hand, from pool to house to pool again, and there was a positive destroying fury. The pool was set centrally, so that damage was satisfying and easy. There rose excited laughter; it seemed that at the first, releasing sound of breaking glass and china a sort of hysteria had set in among our guests. Everyone pretended to be drunker than he was; everyone was suddenly very active. But for the first time since I had come back to the island I knew anger, a deep, blind, damaging anger. I shouted, I screamed; I did not know where I walked or who I hit or what I said after the presentiment of the anger breaking up through me. Just pictures: of the disturbed blue of the pool, rocking to rest in an instant of stillness, of the splashed edges of the pool, the bright lights, the recessed areas of gloom, the flies fluttering above the caged underwater light, the faces of one or two registering so clearly the thought that I had gone mad, about me the splashings and the spilled drinks and wasted food.

I was in the car then, driving through the gates, past the parked cars of the others, past the faces, women wrapped up against the night air; and I drove through the city and out of it and went on, driving, driving through the dark, occasional lights, houses asleep, not wishing for terminus, until I came to the ruins of the famous old slave plantation, the overgrown brick walls of the sugar factory, the bricks brought as ballast in the eighteenth-century ships from Europe. And, oh, I wanted to cry. The damage to the new house: not that. It was not the rage we feel when something new receives a scratch or dent and we feel that it is all destroyed. I had assessed the damage as superficial; in a morning the workmen could mend it. Not that, not that. I just wished to cry. I leaned over the steering wheel and tried to cry, but I couldn’t. The pain remained, unreleased, the nameless pain from which one feels there can be no way out, and one knows that despair is absolute.

Weeping because he had no more worlds to conquer. I can enter into those tears of Alexander. They were real tears, but they came from a deeper cause. They are the tears of children outside a hut at sunset, the fields growing dark; they are the tears of men in the middle of great achievement, men who are made weary by a sense of futility, who long to be the first men in the world, who long to do penance for the entire race, because they feel the lack of sympathy between man and the earth he walks on and know that, whatever they might do, this gap will remain. They are the tears of men at the end of their line, who foresee their extinction. But the mood passes. Alexander goes back to his generals, indulgent towards the sensibility they will misinterpret; the child goes inside the hut and the big world is reduced to a small warm sphere. So now, over the wheel of my motorcar, I returned to myself, anger, despair vanished, only a sense of outrage and shame remaining, and the knowledge that this slave plantation was a favourite spot for courting couples as well as rapists and others seeking social revenge. I drove back to the main road, switched on the car radio, and slowly now, driving to music, to cheap old songs, the tears rolled down, quite pleasurably.

The cars outside the house had gone; so had the crowd,

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