The mimic men - V. S. Naipaul [38]
I was in the car then, driving through the gates, past the parked cars of the others, past the faces, women wrapped up against the night air; and I drove through the city and out of it and went on, driving, driving through the dark, occasional lights, houses asleep, not wishing for terminus, until I came to the ruins of the famous old slave plantation, the overgrown brick walls of the sugar factory, the bricks brought as ballast in the eighteenth-century ships from Europe. And, oh, I wanted to cry. The damage to the new house: not that. It was not the rage we feel when something new receives a scratch or dent and we feel that it is all destroyed. I had assessed the damage as superficial; in a morning the workmen could mend it. Not that, not that. I just wished to cry. I leaned over the steering wheel and tried to cry, but I couldn’t. The pain remained, unreleased, the nameless pain from which one feels there can be no way out, and one knows that despair is absolute.
Weeping because he had no more worlds to conquer. I can enter into those tears of Alexander. They were real tears, but they came from a deeper cause. They are the tears of children outside a hut at sunset, the fields growing dark; they are the tears of men in the middle of great achievement, men who are made weary by a sense of futility, who long to be the first men in the world, who long to do penance for the entire race, because they feel the lack of sympathy between man and the earth he walks on and know that, whatever they might do, this gap will remain. They are the tears of men at the end of their line, who foresee their extinction. But the mood passes. Alexander goes back to his generals, indulgent towards the sensibility they will misinterpret; the child goes inside the hut and the big world is reduced to a small warm sphere. So now, over the wheel of my motorcar, I returned to myself, anger, despair vanished, only a sense of outrage and shame remaining, and the knowledge that this slave plantation was a favourite spot for courting couples as well as rapists and others seeking social revenge. I drove back to the main road, switched on the car radio, and slowly now, driving to music, to cheap old songs, the tears rolled down, quite pleasurably.
The cars outside the house had gone; so had the crowd,