The mimic men - V. S. Naipaul [65]
It was an eccentric lower-class movement, and there were always eccentric movements among the lower classes. On any Sunday in our city you could have found twenty bizarre processions all dedicated to God and glory. In that first week the newspapers spoke only of the silence on the docks. They ignored the beginnings of a movement about which monographs have since been published by the universities of Porto Rico and Jamaica. The monographs tell accurately enough of the rise and withering-away of the movement; they describe its occasionally frightening ritual. But like so many sociological studies, they leave the mystery as mystery; they explain nothing. Twenty people say a thing and they are twenty madmen. But the twenty-first comes along, and he is a hero, a chieftain, a saint. A quality in the man, or a quality of the time? The message, or the fine tuning of responsive despair? A dock strike was being cruelly broken. Who ever believes in the totality of his defeat? Who, seeing this defeat coming and unable to comprehend its horror, does not believe he will in some way be protected or revenged? Today we can see this exodus from our city as a small part of the unrest in the colonies and poorer territories of the Americas just before the war. Each territory produced its own symptoms of disease, its own fantastic growths. We lived with disease; we had ceased to notice. Every day, if you looked, you could find some crazed preacher under a shop awning singing with his little band of the destruction to come. I see these religious excesses, still an aspect of the tourist quaintness of the islands, as an attempt to deny the general shipwreck. Movements like my father’s – without that purpose which might have turned them into true revolutions – expressed despair but were at the same time positive. They generated anger in people who thought they were too dispirited even for that; they generated comradeship. Above all, they generated disorder where previously everyone had deluded himself there was order. Disorder was drama, and drama was discovered to be a necessary human nutriment.
The general historical trend can be explained now. But my literal mind goes back to that first day, to the leaving of the Education Department, the decision not to drive but to walk. It goes back to that moment in the square when my father broke into the conversation of the striking dock-workers; that moment when he judged that the time had come to leave the square, and people followed him out. It goes back to the mystery of the widow of the transport contractor who saw in my father a deep distress and sincerity and, from that first day, offered him her devotion. To her he was the man attempting to live the good life as laid down by his Aryan ancestors. He had ceased to be a householder and man of affairs; she saw him entering the stage of meditation before