The mimic men - V. S. Naipaul [71]
‘All you had to do,’ he now said to Eden, ‘was to send in your photo. In Technicolor.’
But he didn’t get his laugh. The moment was wrong. His tone was wrong; it was touched with a genuine bitterness. Browne didn’t like it. Eden, taking his cue from Browne, didn’t like it either. If they were younger they might have come to blows. Eden would have dumbly done what the new mood required of him. But not even angry words passed between them then. The teacher arrived; everyone went to his desk. The declaration of war was left unmade. In this new stage of the old war between master and slave it was left to me to have the fight with Deschampsneufs, a fight I never looked for. I had my own fantasies. I had made my decision to leave. It was horrible to me to be identified with those who struggled outside the gates of the Cercle Sportif.
My father’s movement faded. Even in our house he faded. He had become a remote public personality, the possession of everyone; he was, occasionally, a name in the newspapers. I found I no longer tried to visualize his day concretely. Such private concern seemed unreal. At school there was no more talk of Gurudeva or riots or burnings; we all preferred, for various reasons, to forget that frustration. The injustices of the slogan competition had also been forgotten. We had a new excitement: the Christmas meeting of the Isabella Turf Club. The Inquirer told us every day that racing was the sport of kings; and just as there were depressed boys who were prepared to talk endlessly with Cecil about models of motorcars they could never hope to drive, so now there were boys, in the Isabellan scale no higher than grooms, who talked endlessly about the sport of kings. They knew the names of horses, jockeys and trainers; they knew about pedigrees, past performances and handicaps. I couldn’t believe in their interest myself. I hated racing; I hated the gambling that went with it. But even I was forced to learn a little.
The main race of the Christmas meeting was the Malay Cup. The Inquirer annually told the story of this cup. It had been given to the Turf Club at the turn of the century by the governor, Sir Hugh Clifford. Though it was on Isabella that Sir Hugh exercised his first colonial governorship, he regarded all his service in the Caribbean, in Isabella and elsewhere, as exile from Malaya, to which he was devoted; and he spent much of his time in Government House writing a book of Malayan memories called Coast and Kampong which, after an unfavourable review by Joseph Conrad, committed him to the further literary exercise of a lengthy correspondence, ripening to friendship, with the as yet little known novelist. The Malay Cup was Sir Hugh’s parting gift to the island he had liked less than literature.
The favourite for the Malay Cup that year was a horse called Tamango. It belonged to the Deschampsneufs stables. Tamango was popular at school as well, for special reasons. Many boys claimed Deschampsneufs as a friend and therefore claimed a special interest in his horse. Then the name was African; and though the significance of the name was known to be ambiguous, the Negro boys were pleased. At Isabella Imperial we all knew where the name came from. Some people outside didn’t know – so much we could gather from the sports pages, already notorious to us from the howlers Major Grant regularly culled from them; and this private knowledge made us more proprietorial. Tamango, in a simplified and abbreviated edition, was one of the French texts we used in the lower forms; we all knew that Mérimée story of the African chief, seller of slaves, himself treacherously enslaved, and finally a leader of revolt. It was typical of the coolness and ambiguity of the Deschampsneufs family to give such a name to a horse: they seemed constantly anxious to call attention to a past which they agreed had been disreputable.
The interest in his family’s horse made Deschampsneufs insufferable at school. He came in in the morning smelling of horse, with his shoes