The mimic men - V. S. Naipaul [77]
He called out again in his strangled voice: ‘Bertie!’ And presently Browne pushed through the maroon curtain. He was wearing washed-out and frayed khaki shorts; he was barefooted; his eyes were red. He had been having a Saturday afternoon nap. He didn’t look pleased to see me. His father rocked, settling down to enjoy the dialogue between two scholars of Isabella Imperial. Browne barely greeted me and instantly pushed through the maroon curtain again. I had a glimpse of a small oval cyp dining table and some heavy polished chairs. I heard voices. Browne’s was raised in irritation; I heard him say something about that black jackass. Then to him who had shouted ‘Bertie!’ there came a female call, pretending to be less than a shout, of ‘Caesar!’ and ‘Caesar!’ again; and Caesar Browne got up and padded carefully over the polished floor in his slippers, cut-down canvas shoes, towards the maroon curtain, from behind which he was given an invisible tug, so that he appeared suddenly to have lost control of his limbs; and so, swiftly, he vanished.
Browne himself, when he reappeared, had a shirt over his flannel vest. The tropics do impose on their inhabitants this recurring indignity of undress, which only above a certain level turns to style. He sat in the rocker left empty by his father and yawned and passed his hands over his legs. He aimed at casualness, but he was glum and less than welcoming. I said I had come to borrow his copy of Peñas Arriba. He wasn’t fooled. But it gave him something to do. He went and got the book. It was the book of the careful student. Its covers were wrapped in brown shop-paper and were dark, furred and almost worn through at the edges where the palm had closed over them on those sweaty journeys to school. I thought it had a peculiar smell. I had nothing more to say. Then Browne’s sister came in with her boy-friend, from the Police. The tiny room was suddenly alive. For a minute or so, with indefinable unease, I witnessed actions and listened to talk. Then I left.
I ought not to have gone. I should have ignored Browne’s misadventure; I should never have let him know that I knew. We never forgive those who catch us in postures of indignity. That Saturday, with its two gestures, its two visits, its two failures, marked the end of the special intensity of our relationship. I cannot deny that I was relieved. I had been choked in that interior, and not only by its smallness. Joe Louis and Haile Selassie on the wall, the flannel vest, the family photograph, that black jackass: it was more than an interior I had entered. I felt I had had a glimpse of the prison of the spirit in which Browne lived, to which he awakened every day. In those rooms he collected