The mimic men - V. S. Naipaul [8]
At the lecture halls there was the young English student who, out of his own insecurity, had attached himself to me, an outsider. Shrouded in his college scarf now, he was doomed to later nonentity; but I listened. His ambition ever changed. It was poetry one week. He had a thing, he said, which he did not expect me to understand, about Nature and the English countryside; I remember that ‘the green of grass not grown’ was one of his lines. It was philosophy the next week. ‘Tell me, do I look like a Christian? I do? Aha! That’s what they all think.’ And the week after that: ‘Look at me. Do you think I will become Prime Minister?’ He was like me: he needed the guidance of other men’s eyes.
From the lecture halls and canteen of the School to the boarding-house, where the Frenchman always typed, Lieni always chattered in her basement room, and Duminicu, also from Malta, talked of escape. Duminicu was short and fat; he worked in a department store; he saved his money. Once a week he went to the cinema; the rest of the time he stayed in his room, stripped to vest and pants, reading newspapers and magazines and working out crosswords. He often had tinned meat or tinned fish for dinner, eating straight from the tin with a knife. He said that in Malta his family was of some standing, and he didn’t get on with Lieni, whom he considered his social inferior. He resented being bossed around by her in London. But he didn’t leave. His reaction to his humiliation was kleptomania. He stole incessantly from shops and stores, and always had some new trifle to show. He would say, ‘I am not like some people I could mention who would buy something for five shillings and then say that they paid five hundred shillings. I will be honest with you. I stole this.’
And from the boarding-house to the halls of the British Council. Trying out my French, finding myself committed to difficult light conversation, whose velleities I couldn’t always grasp, with a series of young girls and women, domestics who said perhaps with truth that they came of good families. Hilariously practising Norwegian crossed o’s with Norwegian girls and Swedish j’s with Swedes. All the preliminaries to the invitation to the cinema, the book-shaped room, the fumbling with clothes and breasts, the lips first averted, then offered, the intense expression of the young girl who prepares to be wooed.
In London I had no guide. There was no one to link my present with my past, no one to note my consistencies or inconsistencies. It was up to me to choose my character, and I chose the character that was easiest and most attractive. I was the dandy, the extravagant colonial, indifferent to scholarship. In fact my income was small, and the allowance I had fixed for myself was half of this; I didn’t think I could be happy spending without earning. But I let it be known that on my island my family were the bottlers of Coca-Cola. The fact impressed less than I had expected. But the respect with which I was treated by boys from the island – to whom the fact was significant – was a help, as was Lieni’s willingness to play the game. Lieni. I had no guide, I said; and so it seemed to me at the time. But there was Lieni in her basement. I saw her every day. I thought she accepted the character as a character and sought merely to heighten it. But she it was – it is so obvious now – who, by suggestion and flattery, created the character of the rich colonial. We become what we see of ourselves in the eyes of others. She pretended that I was richer than I said. She made me aware of my looks, to which up to then I had paid little attention, content with the knowledge that I was no monster. It was Lieni who told me that my eyes might disturb and that my dark,