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The Monk - Matthew Gregory Lewis [167]

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cheeks; and as wrapped in her shroud she reclined upon her funeral bier, she seemed to smile at the images of death around her. While he gazed upon their rotting bones and disgusting figures, who perhaps were once as sweet and lovely, Ambrosio thought upon Elvira, by him reduced to the same state. As the memory of that horrid act glanced upon his mind, it was clouded with a gloomy horror; yet it served but to strengthen his resolution to destroy Antonia’s honour.

“For your sake, fatal beauty!” murmured the monk, while gazing on his devoted prey, “for your sake have I committed this murder, and sold myself to eternal tortures. Now you are in my power: the produce of my guilt will at least be mine. Hope not that your prayers breathed in tones of unequalled melody, your bright eyes filled with tears, and your hands lifted in supplication, as when seeking in penitence the Virgin’s pardon: hope not, that your moving innocence, your beauteous grief, or all your suppliant arts, shall ransom you from my embraces. Before the break of day, mine you must, and mine you shall be!”

He lifted her, still motionless, from the tomb: he seated himself upon a bank of stone, and, supporting her in his arms, watched impatiently for the symptoms of returning animation. Scarcely could he command his passions sufficiently, to restrain himself from enjoying her while yet insensible. His natural lust was increased in ardour by the difficulties which had opposed his satisfying it; as also by his long abstinence from woman, since, from the moment of resigning her claim to his love, Matilda had exiled him from her arms for ever.

“I am no prostitute, Ambrosio,” had she told him, when, in the fullness of his lust, he demanded her favours with more than usual earnestness; “I am now no more than your friend, and will not be your mistress. Cease then to solicit my complying with desires which insult me. While your heart was mine, I gloried in your embraces. Those happy times are past; my person is become indifferent to you, and ’Tis necessity, not love, which makes you seek my enjoyment. I cannot yield to a request so humiliating to my pride.”

Suddenly deprived of pleasures, the use of which had made them an absolute want, the monk felt this restraint severely. Naturally addicted to the gratification of the senses, in the full vigour of manhood and heat of blood, he had suffered his temperament to acquire such ascendency, that his lust was become madness. Of his fondness for Antonia, none but the grosser particles remained; he longed for the possession of her person; and even the gloom of the vault, the surrounding silence, and the resistance which he expected from her, seemed to give a fresh edge to his fierce and unbridled desires.

Gradually he felt the bosom which rested against his glow with returning warmth. Her heart throbbed again, her blood flowed swifter, and her lips moved. At length she opened her eyes; but, still oppressed and bewildered by the effects of the strong opiate, she closed them again immediately. Ambrosio watched her narrowly, nor permitted a movement to escape him. Perceiving that she was fully restored to existence, he caught her in rapture to his bosom, and closely pressed his lips to hers. The suddenness of his action sufficed to dissipate the fumes which obscured Antonia’s reason. She hastily raised herself, and cast a wild look round her. The strange images which presented themselves on every side contributed to confuse her. She put her hand to her head, as if to settle her disordered imagination. At length she took it away, and threw her eyes through the dungeon a second time. They fixed on the abbot’s face.

“Where am I?” she said abruptly. “How came I here?—Where is my mother? Methought I saw her! Oh! a dream, a dreadful dreadful dream told me…… But where am I? Let me go! I cannot stay here!”

She attempted to rise, but the monk prevented her.

“Be calm, lovely Antonia!” he replied; “no danger is near you: confide in my protection. Why do you gaze on me so earnestly? Do you not know me? Not know your friend, Ambrosio?

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