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The Moons of Jupiter - Alice Munro [70]

By Root 576 0
this tobacco tin in a junk shop years ago, and gave it to her for a present. She used to smoke, in those days, and the children were worried about her, so they gave her this tin full of toffees, jelly beans, and gumdrops, with a note saying, “Please get fat instead.” That was for her birthday. Now the tin has in it several things besides the cufflink—all small things, not of great value but not worthless, either. A little enamelled dish, a sterling-silver spoon for salt, a crystal fish. These are not sentimental keepsakes. She never looks at them, and often forgets what she has there. They are not booty, they don’t have ritualistic significance. She does not take something every time she goes to Gordon’s house, or every time she stays over, or to mark what she might call memorable visits. She doesn’t do it in a daze and she doesn’t seem to be under a compulsion. She just takes something, every now and then, and puts it away in the dark of the old tobacco tin, and more or less forgets about it.

Labor Day Dinner

Just before six o’clock in the evening, George and Roberta and Angela and Eva get out of George’s pickup truck—he traded his car for a pickup when he moved to the country—and walk across Valerie’s front yard, under the shade of two aloof and splendid elm trees that have been expensively preserved. Valerie says those trees cost her a trip to Europe. The grass underneath them has been kept green all summer, and is bordered by fiery dahlias. The house is of pale-red brick, and around the doors and windows there is a decorative outline of lighter-colored bricks, originally white. This style is often found in Grey County; perhaps it was a specialty of one of the early builders.

George is carrying the folding lawn chairs Valerie asked them to bring. Roberta is carrying a dessert, a raspberry bombe made from raspberries picked on their own farm—George’s farm—earlier in the summer. She has packed it in ice cubes and wrapped it in dish towels, but she is eager to get it into the freezer. Angela and Eva carry bottles of wine. Angela and Eva are Roberta’s daughters. It has been arranged between Roberta and her husband that they spend the summers with her and George and the school year in Halifax with him. Roberta’s husband is in the Navy. Angela is seventeen, Eva is twelve.

These four people are costumed in a way that would suggest they were going to different dinner parties. George, who is a stocky, dark, barrel-chested man, with a daunting, professional look of self-assurance and impatience (he used to be a teacher), wears a clean T-shirt and nondescript pants. Roberta is wearing faded tan cotton pants and a loose raw-silk top of mud-brick color—a color that suits her dark hair and pale skin well enough when she is at her best, but she is not at her best today. When she made herself up in the bathroom, she thought her skin looked like a piece of waxed paper that had been crumpled into a tight ball and then smoothed out. She was momentarily pleased with her thinness and had planned to wear a slinky silver halter top she owns—a glamorous joke—but at the last minute she changed her mind. She is wearing dark glasses, and the reason is that she has taken to weeping in spurts, never at the really bad times but in between; the spurts are as unbidden as sneezes.

As for Angela and Eva, they are dramatically arrayed in outfits contrived from a box of old curtains found in the upstairs of George’s house. Angela wears emerald-green damask with long, sun-faded stripes, draped so as to leave one golden shoulder bare. She has cut vine leaves out of the same damask, pasted them on cardboard, and arranged them in her hair. Angela is tall and fair-haired, and embarrassed by her recently acquired beauty. She will go to great trouble to flaunt it, as she does now, and then will redden and frown and look stubbornly affronted when somebody tells her she looks like a goddess. Eva is wearing several fragile, yellowed lace curtains draped and bunched up, and held together with pins, ribbons, and nosegays of wild phlox already drooping and

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