The Moor - Laurie R. King [107]
After breakfast I went up and found the annotated book on Devon that had been in Pethering's bag and brought it down with me to the warm hall to read. I pulled one of the armchairs up to the fire, threw some logs onto the red coals, kicked off my shoes, and drew my feet up under me in the chair. It was very pleasant, sitting in the solid, patient old house, in the wood-panelled room with the threadbare, sprung-bottomed furniture. The fire crackled to itself, the cat slept on the bench, the fox and hounds ran across the carved fireplace surround, and occasional voices came from the other end of the house. Sighing, deeply content, I began to read.
The book, too, was like settling in with an old friend in a new setting. We began with a desultory exploration of the ethnology of the inhabitants of Devon and Cornwall and their mixture of Celtic and Saxon blood, and moved on to glance at the Dumnonii, the Romans, and the Picts. The Roman invasion was given a few scattered lines, the introduction of the first lap-dog two pages. Baring-Gould bemoaned the way the tender, graceful melodies of the Devonshire countryside were giving way before the organ and the music-hall ditty, and how the picturesque and sturdy native architecture was scorned by the pretentious London professional. Anecdote tumbled after anecdote, tied together by sweeping generalisations with clouds at their foundations and romantic visions of lost times that were breathtaking in their blithe neglect of facts. Druidic fantasies he dismissed out of hand, while at the same time offering the presence of large crystals in some neolithic huts as proof that those huts had belonged to medicine men (who used the crystals for divining) and numerous small round pebbles in others as evidence of the Stone Age love of games.
I was enjoying myself so much, lost in the pull between respect for the man's boundless enthusiasm and indignation at his inability to take scholarship seriously, that I did not notice Mrs Elliott's approach until she touched my shoulder to get my attention. I looked up startled, to see her holding a yellow envelope in her hand.
"Terribly sorry, mum, but this just came for Mr Holmes, and the rector says would you like to take lunch with him, upstairs. Also, was you expecting Charley—Mr Dunstan—to meet you last night?"
"No, of course not," I lied. "It was a very tentative arrangement."
"Good," she said, sounding relieved. With everything else on her mind, she had simply failed to ask Dunstan to meet me. It was nice to know that even the iron woman was fallible.
I took the envelope and told her, "I'd be happy to take lunch with Mr Baring-Gould."
"Twenty minutes," she said.
I tore open the thin paper, but it was only from the laboratory in London where Holmes had left the gold with its soil sample. Wordier than it needed to be and sprinkled with technical terms that either the sender had misspelt or the telegraphist had found troublesome, it for the most part confirmed what Holmes had already found: a pinch of the purest gold in a dessert-spoonful of humus and sand. It did not tell me what the mixture meant.
I allowed my eyes to rest on the lively carving above the fireplace, the high-tailed hounds and goose-stealing fox that Baring-Gould had said belonged to the Elizabethan period. It occurred to me, to my amusement, that he was quite strictly correct: It did, by style and setting, belong there, even if it had come into actual existence in a century far removed from those of Elizabeth's reign. I dropped my book on the chair, stroked the sleeping cat and the carved fox with