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The Moor - Laurie R. King [8]

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in its beauty, but with air so clear and pure one can taste it, so filled with goodness that illness has no hold there, and ailing young men are cured of their infirmities. It is odd, but although no part of it falls within the bounds of my parish, nonetheless I feel a responsibility that goes beyond legal boundaries." He stopped and leant forward, looking first at Holmes and then, for a longer time, at me, to see if we understood, and indeed, there was no mistaking the man's passion for the moor. He eased himself back, not entirely satisfied but trusting to some degree in our goodwill. He shut his eyes for a moment, rallying his strength following the long speech, then opened them again with a sharp, accusing glance worthy of Holmes himself.

"There is something wrong on the moor," he said bluntly. "I want you to discover what it is, and stop it."

I looked sideways at Holmes, in time to see his automatic twitch of impatience slide into an expression of quiet amusement.

"Details, Gould," he murmured. The old man scowled at him, and then, to my surprise, there was a brief twinkle in the back of his keen eyes before he dropped his gaze to the fire, assembling his thoughts.

"You remember the problem we had with Stapleton and the hound? Perhaps I should explain," he interrupted himself, recalling my presence, and proceeded to retell the story known to most of the English-speaking world, and probably most of the non-English-speaking world as well.

"Some thirty years ago a young Canadian inherited a title and its manor up on the edge of the moor. The previous holder, old Sir Charles, had died of apparently natural causes (he had a bad heart) but under odd circumstances, circumstances that gave rise to a lot of rumours concerning an old family curse that involved a spectral black dog."

"The Hound of the Baskervilles."

"Yes, that's it, although the family name is not actually Baskerville. As I remember, Baskerville was the driver your friend Doyle used when he came up here, was it not?" he asked Holmes.

"I believe so," said Holmes drily, although friend was not the word I might have chosen to describe his relationship with Dr Watson's literary agent and collaborator. Baring-Gould went on.

"The moor is poor ground agriculturally, but rich in songs and stories and haunts aplenty: the jacky-twoad with his glowing head and the long-legged Old Stripe, the church grims and bahr-ghests that creep over the moor, seeking out the lone traveller, the troublesome pixies that lead one astray, and the dogs: the solitary black animals with glowing eyes or the pack of coal-black, fire-breathing hounds leading the dark huntsman and his silent mount. Of course, any student of folklore could tell you of a hundred sources of devil dogs, with or without glowing eyes. Heavens, I could fill a volume on spectral hounds alone—the dark huntsman, the Pad-foot, the wisht-hounds. In fact, in my youth I came across a particularly interesting Icelandic variation—"

"Perhaps another time, Gould," Holmes suggested firmly.

"What? Oh yes. The family curse of the Baskervilles. At any rate, old Sir Charles died, young Sir Henry came, and the mysterious happenings escalated. Holmes came out here to look things over, and he soon discovered that one of the Baskerville neighbours on the moor was an illegitimate descendant who had his eye on inheriting, and made use of the ghost stories, frightening the old man to death and attempting to harass the young baronet into a fatal accident. Stapleton was his name, a real throwback to the wicked seventeenth-century Baskerville who was the original source of the curse, for his maltreatment of a young girl. Stapleton even resembled the painting of old Baskerville, didn't he, Holmes? In fact, I meant to send you a chapter of my Old Country Life where I discuss inherited characteristics and atavistic traits."

"You did."

"Did I? Oh good."

"So what has the Stapleton case to do with Dartmoor now?" Holmes prodded.

"I do not know except—" He dropped his voice, as if someone, or something, might

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