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The Mote in God's Eye - Larry Niven [184]

By Root 1600 0
and a molecular sieve to reclaim the water. There were stocks of prefrozen Motie dinners which needed only the microwave ovens to make a variety of meals. Even the culinary failures were . . . interesting. There was coffee, synthetic but good, and a well-stocked wine locker.

To add to his ease, Lenin and Kutuzov were comfortably distant. Aboard the battleship everyone was stuffed together like cargo pods in a merchantman, crowded into cabins and sleeping in corridors, while here Horvath lolled at his ease. He drew the microphone closer and resumed dictating with another sigh of contentment. All was well with the worlds—

“Much of what the Moties construct has multiple purposes,” he told his computer box. “This ship is an intelligence test per se, whether or not so intended. The Moties will lean much about our abilities by observing how long it takes our crew to control the drive properly. Their own Browns, I suspect, would have had it working perfectly in an hour, but to be fair, a Brown would have no difficulty concentrating on the telltales for days at a stretch. Humans intelligent enough for such tasks find them excruciatingly boring, and it is our own custom to have crewmen stand watches while their officers remain on call to deal with any problems. We thus respond more slowly, and require more personnel, to perform tasks that individual Moties find exceedingly simple.

“The Moties have also told us a great deal about themselves. For example, we employ humans as a backup to automatic systems, although we will often omit the automation in order to give constant employment to humans needed for emergencies but otherwise superfluous. The Moties appear deficient in computer technology, and seldom automate anything. Instead, they employ one or more subspecies as biological computers, and they seem to have an adequate supply of them. This is hardly an option left open for human use.” He paused for thought and looked around the cabin.

“Ah. Then there are the statuettes.” Horvath lifted one and smiled. He had them arrayed like toy soldiers on the table before him: a dozen Motie figurines of transparent plastic. Internal organs showed through in vivid color and detail. He looked at them again contentedly, then grimaced slightly. These had to be brought back.

Actually, he admitted to himself, they didn’t. There was nothing special about the plastic, and the statuettes were recorded in every detail; any good plastic former could be programmed to turn out thousands an hour, the same way these probably were made in the first place. But they were alien, and they were gifts, and he wanted them for his desk, or for the New Scotland Museum. Let Sparta have copies for a change!

He could identify most of the forms at a glance: Engineer, Mediator, Master; the huge Porter form; an overmuscled Engineer with broad, stubby-fingered hands and big splayed feet, probably a Farmer. A tiny Watchmaker (damn the Brownies! twice damn the Admiral who wouldn’t let the Moties help with their extermination). There was a small-headed long-fingered Physician. Next to it was the spindly Runner who seemed to be all legs. Horvath spoke to his computer box again.

“The Runner’s head is small, but there is a distinctly bulging forehead. It is my belief that the Runner is nonsentient but has the verbal capacity to memorize and deliver messages. It can probably carry out simple instructions. The Runner may have evolved as a specialized message carrier before civilization reached the telephone stage, and is now kept for traditional functions rather than utility. From the brain structure it becomes fairly clear that the Brownie or Watchmaker could never have memorized or delivered messages. The parietal lobe is quite undeveloped.” That for Kutuzov.

“These statuettes are extremely detailed. They disassemble like puzzles to reveal internal details. Although we do not yet know the function of most internal organs, we may be sure they divide differently from those of human organs, and it is possible that the Moties’ conscious design philosophy of overlapping multiple

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