The Moviegoer - Walker Percy [16]
4
Walter offers to drive Uncle Jules to town. Through the living-room doors I can see my aunt sitting by the fire, temple propped on her fingers. The white light from the sky pours into her upturned face. She opens her eyes and, seeing me, forms a soundless word with her lips.
I find Kate in the ground-level basement, rubbing an iron fireplace. Since Christmas she and Walter have taken to cleaning things, removing a hundred years’ accumulation of paint from old walls and cupboards to expose the cypress and brick underneath. As if to emphasize her sallowness and thinness, she has changed into shirt and jeans. She is as frail as a ten year old, except in her thighs. Sometimes she speaks of her derrière, sticks it out Beale Street style and gives it a slap and this makes me blush because it is a very good one, marvellously ample and mysterious and nothing to joke about.
To my relief she greets me cheerfully. She clasps one leg, rests her cheek on a knee and rubs an iron welt with steel wool. She has the advantage of me, sitting at her ease in a litter of summers past, broken wicker, split croquet balls, rotting hammocks. Now she wipes the welt with solvent; it begins to turn pale. “Well? Aren’t you supposed to tell me something?”
“Yes, but I forget what it was.”
“Binx Binx. You’re to tell me all sorts of things.”
“That’s true.”
“It will end with me telling you.”
“That would be better.”
“How do you make your way in the world?”
“Is that What you call it? I don’t really know. Last month I made three thousand dollars—less capital gains.”
“How did you get through a war without getting killed?”
“It was not through any doing of yours.”
“Anh anh anh.” It is an old passage between us, more of a joke now than a quarrel. “And how do you appear so reasonable to Mother?”
“I feel reasonable with her.”
“She thinks you’re one of her kind.”
“What kind is that?”
“A proper Bolling. Jules thinks you’re a go-getter. But you don’t fool me.”
“You know.”
“Yes.”
“What kind?”
“You’re like me, but worse. Much worse.”
She is in tolerable good spirits. It is not necessary to pay too much attention to her. I spy the basket-arm of a broken settee. It has a presence about it: the ghost of twenty summers in Feliciana. I perch on a bony spine of wicker and prop hands on knees.
“I remember what I came for. Will you go to Lejiers and watch the parade?”
Kate stretches out a leg to get at her cigarettes. Her ritual of smoking stands her in good stead. She extracts the wadded pack, kneads the warm cellophane, taps a cigarette violently and accurately against her thumbnail, lights it with a Zippo worn smooth and yellow as a pocket watch. Pushing